Middle West -- Fiction; Short stories, American; Villages -- Fiction
“Land!” I says, “I know how she feels. The last company I give I got up
and swep’ by lamplight and had my cake all in the oven by 6 A.M. Come in
while I eat my breakfast and I’ll run right back with you and leave my
dishes setting. How’s your aunt standing it?” I ask’ her.
“Oh, pretty well, thank you,” says Hettie, “but she’s awful nervous. She
hasn’t et for two days--not since the invitations went out o’ the
house--an’ last night she dreamt about the Chief. That always upsets her
an’ makes her cross all next day.”
“If she wasn’t your aunt,” I says, “I’d say, ‘Deliver me from loving the
dead so strong that I’m ugly to the living.’ But she _is_ your aunt and
a good woman--so I’m mum as you please.”
Hettie, she sighs some. “She _is_ a good woman,” she says, wistful;
“but, oh, Mis’ Marsh, they’s some good women that it’s terrible hard to
live with,” she says--an’ then she choked up a little because she _had_
said it. But I, and all Friendship Village, knew it for the truth. And
we all wanted to be delivered from people that’s so crazy to be moral
and proper themselves, in life or in mourning, that they walk over
everybody else’s rights and stomp down everybody’s feelin’s. My eyes
filled up when I looked at that poor, lonesome little thing, sacrificed
like she was to Mis’ Fire Chief’s mourning spree.
“Hettie,” I says, “Amos More goes by here every morning about now on his
way to his work. When he goes by this morning, want to know what I’m
going to tell him?”
“Yes’m,” says Hettie, simple, blushing up like a pink lamp shade when
you’ve lit the lamp.
“I’m a-goin’ to tell him,” says I, “that I’m going to ask Eppleby
Holcomb to let him off for a couple of ours or so this morning, an’ a
couple more this afternoon. I want he should come over to Mis’ Fire
Chief’s an’ chop ice an help turn freezer.” (We was going to feed ’em
ice cream even if it was winter.) “I’m getting too old for such fancy
jobs myself, and you ain’t near strong enough, and Mis’ Chief, I know
how she’ll be. She won’t reco’nize her own name by nine o’clock.”
While I was finding out what cocoanut and raisins and such they’d got in
stock, along come Amos More, hands hanging loose like he’d lost his grip
on something. I called to him, and pretended not to notice Harriet’s
little look into the clock-door looking-glass, and when he come in I
’most forgot what I’d meant to say to him, it was so nice to see them
two together. I never see two more in love with every look of each
other’s.
“Why, Harriet!” says Amos, as if saying her name was his one way of
breathing.
“Good mornin’, Amos,” Harriet says, rose-pink and looking at the back of
her hand.
Amos just give me a little nice smile, and then he didn’t seem to know I
was in the room. He went straight up to her and caught a-hold of the
fringe of her shawl.
Public-domain text, read in full here on John Shaqi.
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