Nick Carter Stories No. 155, August 28, 1915: The Gordon Elopement; or, Nick Carter's Three of a Kind.Carter, Nicholas (House name)
General
Nick Carter Stories No. 155, August 28, 1915: The Gordon Elopement; or, Nick Carter's Three of a Kind.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
The mayor’s visit was a source of great gratification to Chief Hodgins.
Since the _Bulletin’s_ publication of those painful snapshots showing
that corpulent official in a somnolent pose, there had been a marked
coolness between the mayor and the head of the police department.
While the former had not carried out his threat to remove the latter
from office, he had let it be plainly seen that Hodgins was in great
disfavor at the city hall. Consequently the police chief was glad now to
have the mayor present to witness his triumph over the Camera Chap. He
felt confident that this arrest would go a long way toward restoring him
to favor.
It did not take Chief Hodgins long to present his evidence against
Hawley.
With a note of pride in his voice, he told the court how by his
vigilance and alertness he had been successful in catching the defendant
“red-handed,” in the act of taking a photograph on a public highway of
Oldham.
“And I hope, your honor,” the chief concluded, “that you’ll see fit to
make an example of the rascal; for if ever there was a desperate
character, he’s one. Just see how he stands there grinnin’ now--right in
your honor’s face.”
His honor, who was a dyspeptic-looking little man with a peppery temper,
glared at the prisoner, and inwardly resolved that he would “give him
something to grin about” in a little while.
Gale and the six detectives gave testimony corroborating that of the
chief of police regarding the taking of the photograph.
Everybody in the courtroom, including Fred Carroll, thought that the
case against the Camera Chap was a strong one, and wondered why the
latter didn’t manifest more concern as to the outcome.
Hawley’s face continued to wear a cheerful smile as he listened to the
evidence, and this smile expanded every time his gaze rested on the
camera reposing on the magistrate’s desk, which Chief Hodgins had
offered as an exhibit.
“You say that a photograph was taken,” the magistrate suddenly remarked.
“Have you the picture, chief?”
“I have the negative, your honor,” Hodgins replied promptly.
As he spoke, he glanced swiftly at the Camera Chap, whose face had
suddenly lost its smile, and now wore an expression of mingled
indignation and amazement.
“In order to make the evidence as complete as possible, your honor,” the
chief of police went on, “I took the roll of film from this fellow’s
camera, in the presence of witnesses, and had it developed. The result
was this picture of the city hall, which I now offer in evidence.”
As Hodgins handed the negative to the magistrate, Hawley’s gaze traveled
from the incriminating strip of gelatin to the face of the younger Gale.
On that countenance he saw an expression which fully enlightened him as
to who was responsible for this piece of manufactured evidence--an
expression half triumphant, half anxious.
Public-domain text, read in full here on John Shaqi.
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