Nick Carter Stories No. 158, September 18, 1915: The blue veil; or, Nick Carter's torn trail.Carter, Nicholas (House name)
General
Nick Carter Stories No. 158, September 18, 1915: The blue veil; or, Nick Carter's torn trail.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
Neilson was working on the police cuts when they entered the room. He
looked up suspiciously at his visitors. Carroll had warned him to be
strictly on his guard while the snapshots were in his possession.
“Here’s a gent who wants to do some business with you. Mr. Neilson,”
Miggsy announced. And then, greatly to Meyer’s relief, the boy went
downstairs, leaving him alone with the photo-engraver.
The visitor lost no time in getting down to business. There was no
telling when the boy or somebody else might come into the room, and Mr.
Meyer was exceedingly averse to saying what he had to say to Neilson in
the presence of a third party. At no time in his life had he felt more
inclined to indorse the old saying that “two is company, three is a
crowd,” than at this minute.
“I want some cuts made,” he began. “I am getting out a leedle
advertising circular for my wine and liquor business. Here iss one of
the pictures which I wish made into a cut.”
He drew a small oblong of saffron-hued paper from his pocket, and held
it before Neilson’s eyes.
“Why, that ban a fifty-dollar bill,” exclaimed Neilson in astonishment.
Mr. Meyer took from his pocket another slip of paper. “And here, mein
friend, is another leedle picture which I wish made into a cut,” he
announced.
The engraver’s eyes opened wider. “That ban a hundred-dollar bill!” he
exclaimed.
“Nefer mind what they are, mein friend,” said Meyer. “I want them both
made into cuts for mein leedle advertising circular. You can do
it--yes?”
“Sure,” Neilson replied. “Why not? When must the cuts be ready?”
“Oh, there’s no hurry. Keep these leedle pictures for as long as you
like.” Mr. Meyer put his head closer to the engraver’s, and lowered his
voice. “In fact, mein friend, you can keep them forever--if you will do
me a leedle favor.”
Neilson’s eyes glistened hungrily. “What’s the favor?” he demanded
eagerly. “I ban willing to do whole lot of favors for a hundred and
fifty dollars.”
In a tense whisper, Mr. Meyer explained how the money was to be earned.
The _Bulletin’s_ photo-engraver did not appear to be horrified or
indignant.
“Oil right,” he said phlegmatically; “I do it. I ban sick of this here
yob, anyway. Give me the hundred and fifty dollars. It ban look good to
me.”
He held out his hand, and, as the yellowbacks came in contact with his
long, slim fingers, his ears caught a faint, clicking sound, which came
from a large canvas screen at the other end of the room.
Then there was a chuckle, and a voice cried exultantly: “All right, Ole;
we’ve got it!”
Mr. Meyer glanced uneasily toward the screen. From behind that piece of
furniture stepped two young men. One of them had a camera in his hand.
“What’ll I do with this here dirty money, Mr. Carroll?” inquired
Neilson, his usually stolid countenance animated by a broad grin.
Public-domain text, read in full here on John Shaqi.
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