"When I had lived through several scenes of the character just
described, I could not help thinking that we Athenians were perhaps
much wiser than the modern men, in that we did not allow our women
to appear in society. They were, it is true, seldom interesting, nor
physically greatly developed. On the other hand they never bored us
with types of what these little ones call society ladies. I cannot
but remember the exquisite evenings which I spent at the house of
Critias, where one of our wittiest _hetairai_, or emancipated women,
imitated the false manners, hypocrisy and inane pomp of the society
ladies of Thebes in Egypt. We laughed until we could see no longer.
What Leontion, that _hetaira_, represented was exactly what I observed
in my lady friend in London. The same disheartening dryness of soul;
the same exasperating superficiality of intellect; the same lack of all
real refinement, that I found a few centuries later in society in the
times of the Roman Cæsars.
"London desiccates; whereas Athens or Paris animates. When I gave
up my relation to Entréa, I met a woman of about thirty-four, whose
head was so perfect that Evænetus himself has never engraved a more
absolutely beautiful one. Her hair was not only golden of the most
lovely tint, but also full of waves, from long curls in Doric _adagio_,
to tantalising Corinthian _pizzicato_ frizzles all round. Her face was
a cameo cut in onyx, and both lovely and severe. Her loveliness was in
the upper part of her face; her severity round the mouth and the chin.
This strange reversal of what is usually the case gave her a character
of her own. Her stark blue eyes were big and cold, yet sympathetic and
intelligent-looking; and her ears were the finest shells that Leucothea
presented her mother with from the wine-coloured ocean, and inside the
shells were the most enchanting pearls, which the sea-nymph then left
in the mouth of the blessed babe as her teeth. She was not tall, but
very neatly made; a _fausse maigre_. She wrote bright articles, in
which from time to time she wrapped up a big truth in _bon-bon_ paper.
"There was in her the richest material for the most enchanting
womanhood; a blend of Musarion and Aspasia; or to talk modern style,
a blend of Mademoiselle l'Espinasse with Madame Récamier. She was
neither. Not that she made any preposterous effort to be, what Paris
calls, a Madame Récamier. But London desiccated her. From dry by
nature, she became drier still by London. Being as dry as she was, she
only cared for mystic things; for what is behind the curtain of things;
for the borderland of knowledge and dream. As sand can never drink in
enough rain, so dry souls want to intoxicate themselves with mystic
alcohol. In vulgarly dry persons that rain from above becomes--mud;
in refinedly dry souls it is atomised into an intellectual spray. Her
whole soul was athirst of that spray.
Public-domain text, read in full here on John Shaqi.
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