"When I left, the husband accompanied me to the door. Before I took
leave, he twinkled with his right eye, and asked me with a knowing
look, 'Well, sir, what do you think of the linguistic range of my
madame?'
"I did not quite know what to reply. At last I said: 'Like a true
soldier she fights on the borderland.'
"One of the strangest things to note in London society is the
fascination exercised by American women on Englishmen. Many of the
really intelligent men among the English are practically lost as
soon as the American woman begins playing with the little lasso of
thin ropes which she carries about her in the shape of an acquired
brightness and a studied vivacity. The most glaring defects of those
women do not seem to exist for the average Englishman. He takes her
loud brightness for French _esprit_ dished up to him in intelligible
English. Her total lack of self-restraint and modesty he takes for a
charming _abandon_. The real fact is that he is afraid of her. She
may have many a bump: she certainly has not that of reverence. Her
irreverent mind makes light of the _grandezza_ of Englishmen, and thus
cows him by his fear of making himself ridiculous.
"The first American woman (--_sit venia verbo_, as you would say, O
Cicero--) I met in London was one married to an English lord. She was
tall, well-built, with rich arms and hips, an expressive head, very
fond of the arts, more especially of music. Even her head, which was
a trifle square, indicated that. When she learnt that I really was the
famous Alcibiades, her excitement knew no bounds. She was good enough
to explain it to me:
"'Just fancy that! Alcibiades! (They pronounce my name Elkibidees.) I
am simply charmed! I have so far every year introduced some new and
striking personage into drawing-rooms, in order to stun the natives of
this obsolete island. I have brought into fashion one-legged dancers;
three-legged calves; single-minded thought-readers; illusionists;
disillusionists; disemotionists; dancers classical, mediæval, and
hyper-modern; French lectures on the isle of Lesbos, after a series of
discourses on the calves of the legs of Greek goddesses in marble; not
to forget my unique course of lectures given at the drawing-room of the
dearest of all duchesses, on the history of _décolletage_.
"'This year, to be quite frank with you, Mr Elkibidees, I meant to
arrange in the magnificent drawing-room of an Oriental English lady,
the uniquest and at the same time the boldest exhibition ever offered
to the dear nerves of any class of women. I cannot quite tell you what
it was going to be. I can only faintly indicate that it was to be a
collection of all the oldest as well as latest inventions securing the
tranquillity of enjoying just one child in the family. This, I have no
doubt, would have been the greatest sensation of the season.
Public-domain text, read in full here on John Shaqi.
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