Nobody's ManOppenheim, E. Phillips (Edward Phillips)
General
Nobody's Man
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories
"I doubt whether I should meet the people who would interest me," she
replied, "and in any case I have my work here. That keeps me occupied."
They turned into the avenue and soon the long front of the house spread
itself out before them. Jane, who had been momentarily absorbed, looked
down at her companion.
"You are alone at the Manor?" she asked.
"Quite alone."
She became the hostess directly they had passed the portals of the
house. She led him across the hall into her little sanctum.
"This is the room," she told him, "in which I never do a stroke of
work--sacred to the frivolities alone. I shall send Morton in to see
what you will have to drink, while I change my habit. You must have
something after that walk. I shan't be long."
For the second time she avoided meeting his eves as she left the room.
Tallente stood on the hearth-rug, still looking at the closed door
through which she had vanished, puzzled, a little chilled. He gave his
order to the attentive butler who presently appeared and who looked at
him with covert interest,--the Press had been almost hysterically
prodigal of his name during the last few weeks. Then he settled down to
wait for her return with an impatience which became almost
uncontrollable. It seemed to him, as he paced restlessly about, that
this little apartment, which he remembered so well, had in a measure
changed, was revealing a different atmosphere, as though in sympathy
with some corresponding change in its presiding spirit. There was a
huge and well-worn couch, smothered with cushions and suggestive of a
comfort almost voluptuous; a large easy-chair, into which he presently
sank, of the same character. The wood logs burning in the grate gave
out a pleasant sense of warmth. He took more particular note of the
volumes in the well-filled bookcases,--volumes of poetry, French novels,
with a fair sprinkling of modern English fiction. There was a plaster
cast of the Paris Magdalene over the door and one or two fine point
etchings, after the style of Heillieu, upon the walls. There was no
writing table in the room, nor any signs of industry, but a black oak
gate-table was laden with magazines and fashion papers. Against the
brown walls, a clump of flaming yellow gorse leaned from a distant
corner, its faint almond-like fragrance mingling aromatically with the
perfume of burning logs and a great bowl of dried lavender. More than
ever it seemed to Tallente that the atmosphere of the room had changed,
had become in some subtle way at the same time more enervating and more
exciting. It was like a revelation of a hidden side of the woman, who
might indeed have had some purpose of her own in leaving him here. He
set down his empty glass with the feeling that vermouth was a heavier
drink than he had fancied. Then a streak of watery sunshine filtered
its way through the plantation and crept across the worn, handsome
carpet. He felt a queer exultation at the sound of her footsteps
outside.
Public-domain text, read in full here on John Shaqi.
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