Nooks and Corners: being the companion volume to 'From Kitchen to Garret'Panton, J. E. (Jane Ellen)
General
Nooks and Corners: being the companion volume to 'From Kitchen to Garret'
Panton, J. E. (Jane Ellen)
Home economics
Of course this arrangement should be enamelled to match the rest of the
paint, and the silk which is used for the curtains should be a contrast;
and great care must be taken to employ someone who does not make his
woodwork with a heavy hand (as some cooks make pastry), for I once saw
one of these recess arrangements carried out in such a way that the
whole effect was dreadful, being entirely marred by the thick wood and
heavy arches of which it was composed. Any china can be arranged
therein, for the top makes an admirable resting-place for odds and ends
and one’s favourite photographs or books. An armchair should be put by
the side, and this will suggest at once a comfortable reading-nook for
a winter’s afternoon without any more elaborate arrangement.
[Illustration: FIG. 11.--A Recess.]
I am so often asked to advise people, on paper, how to arrange their
furniture, and despite my strenuous refusals to contemplate such a
waste of time, am so constantly importuned to do so, that I venture to
pause here, and give one or two hints on the subject of the general
arrangement of sitting-rooms; as although it is naturally quite
impossible to tell positively where to place a chair I have never seen
in a house I have never entered, it is possible, I trust, to give
general hints which shall enable my readers to make their sitting-rooms
rather more comfortable than most of them seem able to do at present.
For example, no matter how small a room is, an enormous amount of
comfort and a certain idea of unlimited space is always given by placing
a screen judiciously by the door; this prevents the whole of the room
being on view at once, and gives an opportunity of placing a chair or
two behind it, which we could not do were the door to open into the
passage and leave a yawning gulf behind one’s back, or were it to open
into the room and so leave an exposed place at once where no one could
sit, because they would feel they were sitting in the passage; and,
again, no chairs should be isolated or put out of humanity’s reach; if
they are, they will surely be sought out at once by some shy caller or
visitor, and we shall have to spend our time endeavouring to draw him or
her into the circle. By this I do not mean that our chairs should be
arranged as if we were expecting the assembling together of a
prayer-meeting, but that they should be within reach both of ourselves,
the fire in winter, the window in summer, and of the light always; then
shall we be quite sure our guests are happy, or, if they are not, that
it is their own fault and not ours.
Public-domain text, read in full here on John Shaqi.
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