Passing two or three outlying cottages where shock-headed children are playing around the doorways, we come in sight of Bettws-y-Crwyn church, a little lonely fane perched so high aloft on its hill-top as to look down, so to speak, upon every other church throughout the county; indeed with one or two exceptions it is, we believe, the most loftily situated church in England. The name of this place affords an interesting clue to its history. For Bettws-y-Crwyn, being interpreted, signifies the Bede-house of the Skins; having been so called since, in ancient times, the shepherds who frequented these lonesome hills had a Bede-house or Chapel here, and paid their tribute of skins or hides to Chirbury Priory. Up here in the churchyard we get a wonderful outlook over the hills and dales of south Shropshire, which are seen stretching away for many a league in picturesque gradation, with Brown Clee Hill bringing up the rear beyond the dark ridges of Wenlock Edge. We now step inside the church, an ancient timeworn structure whose low grey stone walls, narrow windows and simple bell-cot, look thoroughly in keeping with the circumjacent landscape. The old font, once the pride of the church, was broken into pieces when the church was 'restored' about half a century ago, and used, it is said, to repair the churchyard walls! [Illustration: Bettws-y-Crwyn] By some lucky chance, the ancient roodscreen has escaped the hand of the spoiler, and forms to-day the most notable feature of the little edifice. It is massively constructed of oak grown black with lapse of years, and its gothic arches are wrought into delicate tracery work. This lofty screen rises to the tie-beam of the roof, whose curved principals, moulded brackets and quatrefoil panels are fashioned, as tradition tells, from Spanish-chestnut wood. Solid oaken benches of the most primitive construction occupy the nave; their ends displaying the names of various farmhouses, locally termed Halls, such as Hall-of-the-Forest, Moor Hall, Cow Hall, etc. [Illustration: Chalice at Bettws y Crwyn] By favour of the Vicar, we are able to give a sketch of the Bettws Communion cup. It is of silver, bearing the London hall-mark and the date 1662, and is ornamented, as may be seen, with a repoussé flower pattern. Though inferior in design to vessels of an earlier period, such as the beautiful Bacton chalice, this little cup is a very fair example of the silversmith's art of the seventeenth century.