Norman's New Orleans and Environs: Containing a Brief Historical Sketch of the Territory and State of Louisiana and the City of New Orleans, from the Earliest Period to the Present TimeNorman, Benjamin Moore
History
Norman's New Orleans and Environs: Containing a Brief Historical Sketch of the Territory and State of Louisiana and the City of New Orleans, from the Earliest Period to the Present Time
Norman, Benjamin Moore
New Orleans (La.) -- Guidebooks
This structure, erected in 1841, stands on St. Claude street, corner
of Bayou road. It is about 50 feet front by 90 deep. The architect,
Mr. Depouilly, has displayed an excellent taste in its construction.
The style is of a mixed order, but extremely neat--and in such good
keeping, that the interior has the appearance of being much smaller
than it actually measures. The decorations are worthy of the
sacredness of the place. The colored glass of the windows throws a
beautiful mellowed light across the aisles, producing a chastened
effect suited to the solemnity of the place. Immediately over the
altar is a full length painting of the tutelar saint, which is
executed with the bold hand of a master. At the right of this is the
Virgin Mary, little inferior to the first, but finished with much
greater delicacy of touch. Our Saviour is conspicuously represented in
the ceiling, over the centre--around which, on the gallery below, and
between the windows, are portraits of the saints, arranged in the
panel-work. Take this church altogether, it is one of the neatest
houses of devotion in this city.
ST. ANTOINE'S, OR THE MORTUARY CHAPEL
On account of the great increase in the population of the city, and
consequent greater number of interments, objection was made, about the
year 1822, to the performance of services for the dead in the
Cathedral, it being in a very prominent and public situation. Under
these circumstances, the city made a grant of a piece of land at the
corner of Conti and Rampart streets, to the foundation of the Church
of St. Louis, on condition of their erecting upon the same, a chapel,
as a place for the performance of the funeral ceremonies, in
conformity to the catholic ritual. In pursuance of this intention, a
cross, marking the present site of the altar of the chapel, was placed
there with proper ceremonies, on the 10th of October, 1826, and on the
following morning the building was begun. Its erection was prosecuted
at the expense of the catholic foundation, and completed within a year
after its commencement, at a cost of about $16,000.
It is a plain but very neat edifice, of the Gothic composite order;
and was dedicated to the most holy St. Antony of Padua, as its
guardian. All funeral ceremonies of catholics are performed there.
[Illustration: CHAPEL OF THE URSULINES]
THE CHAPEL OF THE URSULINES
An edifice strongly characteristic of our city, and well calculated to
cause reflection on the many and sudden changes of dynasty to which
New Orleans has been subjected. This building, of a quaint old style
of architecture, was erected, according to a Spanish inscription on a
marble tablet in the middle of the façade, in 1787, during the reign
of Carlos III, (Don Estevan Miro being governor of the province,) by
Don Andre Almonaster Y Roxas. It is exceedingly plain and unpretending
in its exterior, and chiefly interesting from its associations, and
extremely antiquated appearance.
[Illustration: CHRIST CHURCH, (EPISCOPAL.)]
Public-domain text, read in full here on John Shaqi.
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