Conrad, Joseph, 1857-1924 -- Criticism and interpretation
I have left myself no space to talk about the other three stories
because I do not think that they call for detailed comment. Each of them
has its special mood and I have tried purposely to give each its special
tone and a different construction of phrase. A reviewer asked in
reference to the Inn of the Two Witches whether I ever came across a
tale called A Very Strange Bed published in _Household Words_ in 1852 or
54. I never saw a number of _Household Words_ of that decade. A bed of
the sort was discovered in an inn on the road between Rome and Naples at
the end of the 18th century. Where I picked up the information I cannot
say now but I am certain it was not in a tale. This bed is the only
"fact" of the Witches' Inn. The other two stories have considerably more
"fact" in them, derived from my own personal knowledge.
J. C.
1920
NOTE TO THE FIRST EDITION
The last word of this novel was written on the 29th of May, 1914. And
that last word was the single word of the title.
Those were the times of peace. Now that the moment of publication
approaches I have been considering the discretion of altering the title
page. The word Victory, the shining and tragic goal of noble effort,
appeared too great, too august, to stand at the head of a mere novel.
There was also the possibility of falling under the suspicion of
commercial astuteness deceiving the public into the belief that the book
had something to do with war.
Of that, however, I was not afraid very much. What influenced my
decision most were the obscure promptings of that pagan residuum of awe
and wonder which lurks still at the bottom of our old humanity. Victory
was the last word I had written in peace time. It was the last literary
thought which had occurred to me before the doors of the Temple of Janus
flying open with a crash shook the minds, the hearts, the consciences of
men all over the world. Such coincidence could not be treated lightly.
And I made up my mind to let the word stand, in the same hopeful spirit
in which some simple citizen of Old Rome would have "accepted the Omen."
The second point on which I wish to offer a remark is the existence (in
the novel) of a person named Schomberg.
That I believe him to be true goes without saying. I am not likely to
offer pinchbeck wares to my public consciously. Schomberg is an old
member of my company. A very subordinate personage in Lord Jim as far
back as the year 1899, he became notably active in a certain short story
of mine published in 1902. Here he appears in a still larger part, true
to life (I hope), but also true to himself. Only, in this instance, his
deeper passions come into play, and thus his grotesque psychology is
completed at last.
Public-domain text, read in full here on John Shaqi.
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