Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
He was in torments, for he loved her. Differing in this from the
common run of lovers, in whose eyes the woman chosen of their heart
appears surrounded by an aureole of perfection, his attachment for
her had grown within him while studying her with the clairvoyant
eyes of a suspicious and distrustful man who had never been entirely
enslaved. His timid and sluggish but penetrating disposition, always
standing on the defensive in life, had saved him from his passions. A
few intrigues, two brief _liaisons_ that had perished of _ennui_, and
some mercenary loves that had been broken off from disgust, comprised
the history of his heart. He regarded women as an object of utility
for those who desire a well-kept house and a family, as an object of
comparative pleasure to those who are in quest of the pastime of love.
Before he entered Mme. de Burne's house his friends had confidentially
warned him against her. What he had learned of her interested,
puzzled, and pleased him, but it was also rather distasteful to him.
As a matter of principle he did not like those gamblers who never pay
when they lose. After their first few meetings he had decided that she
was very amusing, and that she possessed a special charm that had a
contagion in it. The natural and artificial beauties of this charming,
slender, blond person, who was neither fat nor lean, who was furnished
with beautiful arms that seemed formed to attract and embrace, and with
legs that one might imagine long and tapering, calculated for flight,
like those of a gazelle, with feet so small that they would leave
no trace, seemed to him to be a symbol of hopes that could never be
realized.
He had experienced, moreover, in his conversation with her a pleasure
that he had never thought of meeting with in the intercourse of
fashionable society. Gifted with a wit that was full of familiar
animation, unforeseen and mocking and of a caressing irony, she would,
notwithstanding this, sometimes allow herself to be carried away by
sentimental or intellectual influences, as if beneath her derisive
gaiety there still lingered the secular shade of poetic tenderness
drawn from some remote ancestress. These things combined to render her
exquisite.
She petted him and made much of him, desirous of conquering him as
she had conquered the others, and he visited her house as often as he
could, drawn thither by his increasing need of seeing more of her. It
was like a force emanating from her and taking possession of him, a
force that lay in her charm, her look, her smile, her speech, a force
that there was no resisting, although he frequently left her house
provoked at something that she had said or done.
Public-domain text, read in full here on John Shaqi.
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