Noughts and Crosses: Stories, Studies and SketchesQuiller-Couch, Arthur
General
Noughts and Crosses: Stories, Studies and Sketches
Quiller-Couch, Arthur
Manners and customs -- Fiction; Short stories
But they under-estimated a madman's instinct. As if for no reason,
he gave a quick start, turned, and at the same instant was aware of
both attacking parties. A last gleam of sunlight fell on the
snuff-box in his left hand; his right thumb and fore-finger hung
arrested, grasping the pinch. For fully half a minute nothing
happened; hunters and hunted eyed each other and waited.
Then carrying the snuff to his nose, and doffing his hat, with a
satirical sweep of the hand and a low bow, he turned again and
tripped off the ledge into the jaws of the Quick-Boy.
There was no help now. At his third step the sand had him by the
ankles. For a moment he fought it, then, throwing up his arms, sank
forward, slowly and as if bowing yet, upon his face. Second by
second we stood and watched him disappear. Within five minutes the
ripples of the Quick-Boy Sand met once more above him.
In the course of the next afternoon the Vicar of Bleakirk called at
the Hall with a paper which he had found pinned to the church door.
It was evidently a scrap torn from an old letter, and bore, scribbled
in pencil by a clerkly hand, these words: "The young Squire
Cartwright in straits by the foot-bridge, six miles toward
Netherkirk. _Orate pro anima Guliemli Teague_."
II.--THE CONSTANT POST-BOY.
It was a stifling August afternoon. Not a breath of wind came over
the downs, and the sky was just a great flaming oven inverted over
them. I sat down under a dusty gorse-bush (no tree could be seen)
beside the high-road, and tugging off a boot, searched for a prickle
that somehow had got into it. Then, finding myself too hot to pull
the boot on again, I turned out some crumbs of tobacco from a
waistcoat pocket, lit my pipe, and unbuckled my pack.
I "travel" in Tracts, edifying magazines, and books on the Holy Land;
but in Tracts especially. As Watteau painted the ladies and
cavaliers of Versailles so admirably, because he despised them, so I
will sell a Tract against any man alive. Also, if there be one kind
of Tract that I loathe more than another, it is the Pink Tract.
Paper of that colour is sacred to the Loves--to stolen kisses and
assignations--and to see it with a comminatory text tacked on at the
foot of the page turns my stomach. I have served in my time many
different masters, and mistresses; and it still pleases me, after
quitting their service, to recognise the distinction between their
dues. So it must have been the heat that made me select a Pink
Tract. I leant back with my head in the shadow to digest its crude
absurdity.
It was entitled, "_How infernally Hot!_" I doubt not the words were
put in the mouth of some sinner, and the moral dwelt on their literal
significance. But half-way down the first page sleep must have
descended on me: and I woke up to the sound of light footsteps.
_Pit-a-pat--pit-a-pat-a-pit-pat_. I lifted my head.
Public-domain text, read in full here on John Shaqi.
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