Now the Chalk-pit, when spelt with a capital letter, is an especially deep and ugly one on the very edge of the Bleakirk road, about two miles out of the village. A weak fence only separates its lip from the macadam. It is a nasty place to pass by night with a carriage; but here it was broad day, and the fellow was walking. So I didn't take him at all. "Listen to me," he went on in a dull voice; "do you remember sitting beside this road, close on ten years back? And a boy and girl who came along this road together and asked you to marry them?" "Bless my soul! Were you that boy?" He nodded. "Yes: and the young lady in the chaise to-day was that girl. Old man, I know you reckon yourself clever,--I've heard you talk: but that when I met her to-day, three hours married, and she didn't know me, I had a hell in my heart as I drove past the Chalk-pit, is a thing that passes your understanding, perhaps. They were laughing together, mark you, and yet they weren't a hair's breadth from death. And, by the Lord, you must help me past that pit!" "Young man," I said, musing, "when first I met you, you were ten years old, and I thought you a fool. To-day you have grown into an unmitigated ass. But you are dangerous; and therefore I respect you, and will see you home." I turned back with him. When we came to the Chalk-pit, I kept him on the farther side of the road, though it cost me some terror to walk between him and the edge; for I have too much imagination to be a thoroughly brave man. The sun was sinking as we walked down to Bleakirk; and the recruiting sergeant sat asleep outside the "Woolpack," with his head on the window-sill. I woke him up; and within half an hour my post-boy wore a bunch of ribbons on his cap--red, white, and blue. I believe he has seen some fighting since then; and has risen in the ranks. A DARK MIRROR. In the room of one of my friends hangs a mirror. It is an oblong sheet of glass, set in a frame of dark, highly varnished wood, carved in the worst taste of the Regency period, and relieved with faded gilt. Glancing at it from a distance, you would guess the thing a relic from some "genteel" drawing-room of Miss Austen's time. But go nearer and look into the glass itself. By some malformation or mere freak of make, all the images it throws back are livid. Flood the room with sunshine; stand before this glass with youth and hot blood tingling on your cheeks; and the glass will give back neither sun nor colour; but your own face, blue and dead, and behind it a horror of inscrutable shadow. Since I heard this mirror's history, I have stood more than once and twice before it, and peered into this shadow. And these are the simulacra I seem to have seen there darkly.