One night, strolling outside my own billet and wandering down the lane a way, I heard the sound of singing coming from a big brick barn on the roadside. I stood close under the blank wall at the back of the building, and listened. The men were singing “Auld Lang Syne” to the accompaniment of a concertina and a mouth-organ. They were taking parts, and the old tune--so strange to hear out in a village of France, in the war zone--sounded very well, with deep-throated harmonies. Presently the concertina changed its tune, and the men of the New Army sang “God Save the King.” I heard it sung a thousand times or more on royal festivals and tours, but listening to it then from that dark old barn in Flanders, where a number of “K.'s men” lay on the straw a night or two away from the ordeal of advanced trenches, in which they had to take their turn, I heard it with more emotion than ever before. In that anthem, chanted by these boys in the darkness, was the spirit of England. If I had been king, like that Harry who wandered round the camp of Agincourt, where his men lay sleeping, I should have been glad to stand and listen outside that barn and hear those words: Send him victorious, Happy and glorious. As the chief of the British tribes, the fifth George received his tribute from those warrior boys who had come out to fight for the flag that meant to them some old village on the Sussex Downs, where a mother and a sweetheart waited, or some town in the Midlands where the walls were placarded with posters which made the Germans gibe, or old London, where the 'buses went clanging down the Strand. As I went back up the lane a dark figure loomed out, and I heard the click of a rifle-bolt. It was one of K.'s men, standing sentry outside the camp. “Who goes there?” It was a cockney voice. “Friends.” “Pass, friends. All's well.” Yes, all was well then, as far as human courage and the spirit of a splendid youthfulness counted in that war of high explosives and destructive chemistry. The fighting in front of these lads of the New Army decided the fate of the world, and it was the valor of those young soldiers who, in a little while, were flung into hell-fires and killed in great numbers, which made all things different in the philosophy of modern life. That concertina in the barn was playing the music of an epic which will make those who sang it seem like heroes of mythology to the future race which will read of this death-struggle in Europe. Yet it was a cockney, perhaps from Clapham junction or Peckham Rye, who said, like a voice of Fate, “All's well.” V