American fiction -- 20th century; Short stories, American -- Periodicals
Betty Medill would marry him and she wouldn't marry him. She was
having such a good time that she hated to take such a definite step.
Meanwhile, their secret engagement had got so long that it seemed as
if any day it might break off of its own weight. A little man named
Warburton, who knew it all, persuaded Perry to superman her, to get
a marriage license and go up to the Medill house and tell her she'd
have to marry him at once or call it off forever. This is some
stunt--but Perry tried it on December the twenty-ninth. He presented
self, heart, license, and ultimatum, and within five minutes they
were in the midst of a violent quarrel, a burst of sporadic open
fighting such as occurs near the end of all long wars and engagements.
It brought about one of those ghastly lapses in which two people who
are in love pull up sharp, look at each other coolly and think it's
all been a mistake. Afterward they usually kiss wholesomely and
assure the other person it was all their fault. Say it all was my
fault! Say it was! I want to hear you say it!
But while reconciliation was trembling in the air, while each was,
in a measure, stalling it off, so that they might the more
voluptuously and sentimentally enjoy it when it came, they were
permanently interrupted by a twenty-minute phone call for Betty from
a garrulous aunt who lived in the country. At the end of eighteen
minutes Perry Parkhurst, torn by pride and suspicion and urged on by
injured dignity, put on his long fur coat, picked up his light brown
soft hat and stalked out the door.
"It's all over," he muttered brokenly as he tried to jam his car
into first. "It's all over--if I have to choke you for an hour, darn
you!" This last to the car, which had been standing some time and
was quite cold.
He drove downtown--that is, he got into a snow rut that led him
downtown.
He sat slouched down very low in his seat, much too dispirited to
care where he went. He was living over the next twenty years without
Betty.
In front of the Clarendon Hotel he was hailed from the sidewalk by a
bad man named Baily, who had big huge teeth and lived at the hotel
and had never been in love.
"Perry," said the bad man softly when the roadster drew up beside
him at the curb, "I've got six quarts of the dog-gonedest champagne
you ever tasted. A third of it's yours, Perry, if you'll come
upstairs and help Martin Macy and me drink it."
"Baily," said Perry tensely. "I'll drink your champagne. I'll drink
every drop of it. I don't care if it kills me. I don't care if it's
fifty-proof wood alcohol."
"Shut up, you nut!" said the bad man gently. "They don't put wood
alcohol in champagne. This is the stuff that proves the world is
more than six thousand years old. It's so ancient that the cork is
petrified. You have to pull it with a stone drill."
"Take me upstairs," said Perry moodily. "If that cork sees my heart
it'll fall out from pure mortification."
Public-domain text, read in full here on John Shaqi.
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