American fiction -- 20th century; Short stories, American -- Periodicals
And then Perry saw Betty. She was standing in front of a booth
talking to a group of clowns, comic policemen and ringmasters. She
was dressed in the costume of an Egyptian snake charmer, a costume
carried out to the smallest detail. Her tawny hair was braided and
drawn through brass rings, the effect crowned with a glittering
Oriental tiara. Her fair face was stained to a warm olive glow and
on her bare arms and the half moon of her back writhed painted
serpents with single eyes of venomous green. Her feet were in
sandals and her skirt was slit to the knees, so that when she walked
one caught a glimpse of other slim serpents painted just above her
bare ankles. Wound about her neck was a huge, glittering,
cotton-stuffed cobra, and her bracelets were in the form of tiny
garter snakes. Altogether a very charming and beautiful costume--one
that made the more nervous among the older women shrink away from
her when she passed, and the more troublesome ones to make great
talk about "shouldn't be allowed" and "perfectly disgraceful."
But Perry, peering through the uncertain eyes of the camel, saw only
her face, radiant, animated and glowing with excitement, and her arms
and shoulders, whose mobile, expressive gestures made her always the
outstanding figure in any gathering. He was fascinated and his
fascination exercised a strangely sobering effect on him. With a
growing clarity the events of the day came back--he had lost forever
this shimmering princess in emerald green and black. Rage rose
within him, and with a half-formed intention of taking her away from
the crowd he started toward her--or rather he elongated slightly,
for he had neglected to issue the preparatory command necessary to
locomotion.
But at this point fickle Kismet, who for a day had played with him
bitterly and sardonically, decided to reward him in full for the
amusement he had afforded her. Kismet turned the tawny eyes of the
snake charmer to the camel. Kismet led her to lean toward the man
beside her and say, "Who's that? That camel?"
They all gazed.
"Darned if I know."
But a little man named Warburton, who knew it all, found it
necessary to hazard an opinion:
"It came in with Mr. Tate. I think it's probably Warren Butterfield,
the architect, who's visiting the Tates."
Something stirred in Betty Medill--that age-old interest of the
provincial girl in the visiting man.
"Oh," she said casually after a slight pause.
At the end of the next dance Betty and her partner finished up
within a few feet of the camel. With the informal audacity that was
the keynote of the evening she reached out and gently rubbed the
camel's nose.
"Hello, old camel."
The camel stirred uneasily.
"You 'fraid of me?" said Betty, lifting her eyebrows in mock reproof.
"Don't be. You see I'm a snake charmer, but I'm pretty good at
camels too."
The camel bowed very low and the groups round laughed and made the
obvious remark about the beauty and the beast.
Mrs. Townsend came bustling up.
Public-domain text, read in full here on John Shaqi.
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