American fiction -- 20th century; Short stories, American -- Periodicals
That was the hardest year. Emmanuel told himself every day that it would
have to be the last--another seven hours in the classrooms would kill
him. No, not kill him, make him do something, murder, suicide, what did
he know? What if he kicked over an apparatus in the laboratory, what if
he spat into the dean’s august, bearded face? They’d throw him out
then.... Histology, materia medica, physiological chemistry, the rotten,
dead stuff ... all the rotten, dead stuff.... And then there would have
to be an added year, in a hospital. He, Emmanuel Wolkowitz, an interne.
He, Emmanuel Wolkowitz, taking thermometers out of the mouths of
patients, making clinical charts, listening to the smutty confidences of
leering nurses....
He tried to go through that year, somehow. The street was still there,
but since that evening many months ago when he had turned to defy it, he
was no longer afraid of it. He was doing something which, he knew, the
street must approve of.
He was doing something! He was writing. Writing was easy. Except when
the words would not come. Or the wrong ones came. The dictionary was
stupid. Dots and dashes and exclamation marks were stupid. They ruined
the melody. Who said writing was easy, anyhow? What about the song? It
would go on in your head, in your ears, it would paint pictures:
dreamfields of the dawn, grottoes where purple and blue flowers sang.
When you tried to put all that to paper there were only words and the
song was gone. Words were harsh--you couldn’t write down the melody....
But he wrote.
He said to Etta:
“I’ll be a writer!”
“Gowan! Not a doctor?” She didn’t believe what he said, of course. She
thought it a good joke. “That ain’t a good trade.”
A trade!
“Oh, yes, it’s very good when it’s a trade,” he replied. “Mine will be
art.” He wanted to take back the words immediately. Art! He! When the
melody could not be captured. Uncertainly: “Well, of course, it’s not
very profitable.”
“Then you can’t be a writer,” decided Etta, “because you’ll have to earn
money. Sure!”
“Oh, money!” Emmanuel looked at his shiny trousers. “Money!”
“Now, Manny, get all that foolishness out of your head. You’re gonna be
through school in no time now and then we’ll get married. My father will
furnish an office for you and....”
Yes, he knew that. Her father would furnish an office for him. All East
Side fathers did. He had seen it happen again and again. To some of his
classmates, too. An office--then he’d have to practise. Marry Etta,
practise, make money for her, for his family, for Reba’s dowry, who
would in turn be sold to somebody else, a lawyer or dentist perhaps. Was
there no way out of it?
There must be! He would be a writer. An author. After all, there must be
money in it. So many magazines. And then, perhaps, he would write a
book. Would Etta, would his family care how the money came, as long as
he gave them enough? He saw his name on a dull-red volume. In golden
letters: Emmanuel Wolkowitz.
Public-domain text, read in full here on John Shaqi.
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