M. E. Deschaux relates that his grandfather "was awakened one
evening at eleven P.M. by three very distinct raps on the door
of his room. Astonished, he rose, lit the lamp, opened the
door, but saw no one. Supposing that some trickster had been
the cause of his disturbance, he returned to bed grumbling, but
again three knocks were heard on the door. He got up quickly,
intending that the culprit should pay dearly for his untimely
joke, but in spite of careful search, both in the passage and
on the staircase, he could not discover where this mysterious
culprit had disappeared to. A third time, when he was again in
bed, three raps were audible on the door. This time the
grandfather had a presentiment that the sound was caused by the
spirit of his mother, although nothing in the tidings he had
previously received from his family incited him to this
supposition. Five or six days after this manifestation a letter
arrived from his own country announcing the death of his mother
which had occurred precisely at the hour at which he had heard
the knocks. At the moment of her death, his mother, who had a
particular affection for him, had insisted that a dress which
her 'boy in Paris' had some time before sent her as a present
should be brought and placed on her bed."
Here we seem to have a distinct motive for the visitation; but on the
other hand observe how many cases we come across where the phenomena
appears to be due solely to the wanton and mischievous impulses of the
invisible agents.
There is for example the case of a house in which spiritual
manifestations, often of a disturbing character, were continually being
produced, related by Mr Inkster Gilbertson in _The Occult Review_ on the
authority of a West End physician who is called Dr Macdonald. The swish
of a silk dress and the slamming of doors were among the least important
of the phenomena from a psychical point of view, though the sound of
someone coming through a skylight and dropping on to the landing was
certainly calculated to terrify the ladies, who "came up from the
drawing-room screaming and shouting, expecting to find some dreadful
tragedy being enacted." These manifestations consisted entirely of
sounds, but at the regular sittings which were held in the house a
drawer was taken from its place in the bedroom and left on the hall
stand, the loose wooden leaves which converted a billiard-table into a
dining-table were slid off the end and deposited on the floor, and a
screen was several times seen to fold itself up without being touched.
Public-domain text, read in full here on John Shaqi.
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