"When I wished good-night to my friends, it was about twenty
minutes to nine, but still light enough to see a good distance.
The subject of our conversation all the way from the chapel
until we parted was a certain eccentric old character who then
belonged to the Crickhowell church. Many laughable incidents in
his life had been related by my friends for my amusement, at
which I laughed heartily again and again. I walked a little
farther down the road than I intended, in order to hear the end
of a very amusing story about him and the vicar of a
neighbouring parish. Our conversation had no reference whatever
to ghosts or ghostly things. Neither were we in the mood
befitting a ghostly visitation. Personally I was a strong
disbeliever in ghosts, and invariably ridiculed those who I
then thought superstitious enough to believe in them.
"When I had walked about a hundred yards away from my friends I
saw on the bank of the canal (which runs parallel with the road
for six or seven miles) what I thought at the moment was an old
beggar. The spot was a very lonely one. The nearest house was a
good quarter of a mile away. The night was as silent as death.
Not a single sound broke upon the silence from any quarter. I
could not help asking myself where this old man had come from
to such a place. I had not seen him in going down the road.
"I then turned round quite unconcernedly to have another look
at him, and had no sooner done so than I saw within half-a-yard
of me one of the most remarkable and startling sights I hope
it will ever be my lot to see. Almost on a level with my own
face I saw that of an old man, over every feature of which the
putty-coloured skin was drawn tightly, except the forehead
which was lined with deep wrinkles. The lips were extremely
thin, and appeared perfectly bloodless. The toothless mouth
stood half open. The cheeks were hollow and sunken like those
of a corpse, and the eyes, which seemed far back in the middle
of the head, were unnaturally luminous and piercing. This
terrible object was wrapped in two bands of old yellow calico,
one of which was drawn under the chin and over the cheeks and
tied at the top of the head, the other was drawn round the top
of the wrinkled forehead and fastened at the back of the head.
So deep and indelible an impression it made on my mind, that
were I an artist I could paint that face to-day, and reproduce
the original (excepting, perhaps, the luminous eyes) as
accurately as if it were photographed.
Public-domain text, read in full here on John Shaqi.
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