Of the Decorative Illustration of Books Old and New: 3rd ed.Crane, Walter
History
Of the Decorative Illustration of Books Old and New: 3rd ed.
Crane, Walter
Book ornamentation -- History; Illumination of books and manuscripts; Illustrated books -- Bibliography; Illustration of books
If I may be personal, let me say that my first efforts in children's
books were made in association with Mr. Edmund Evans. Here, again, I was
fortunate to be in association with the craft of colour-printing, and I
got to understand its possibilities. The books for babies, current at
that time--about 1865 to 1870--of the cheaper sort called toy books were
not very inspiriting. These were generally careless and unimaginative
woodcuts, very casually coloured by hand, dabs of pink and emerald green
being laid on across faces and frocks with a somewhat reckless aim. There
was practically no choice between such as these and cheap German
highly-coloured lithographs. The only attempt at decoration I remember
was a set of coloured designs to nursery rhymes by Mr. H. S. Marks, which
had been originally intended for cabinet panels. Bold outlines and flat
tints were used. Mr. Marks has often shown his decorative sense in book
illustration and printed designs in colour, but I have not been able to
obtain any for this book.
It was, however, the influence of some Japanese printed pictures given to
me by a lieutenant in the navy, who had brought them home from there as
curiosities, which I believe, though I drew inspiration from many
sources, gave the real impulse to that treatment in strong outlines, and
flat tints and solid blacks, which I adopted with variations in books
of this kind from that time (about 1870) onwards. Since then I have had
many rivals for the favour of the nursery constituency, notably my late
friend Randolph Caldecott, and Miss Kate Greenaway, though in both cases
their aim lies more in the direction of character study, and their work
is more of a pictorial character than strictly decorative. The little
preface heading from his "Bracebridge Hall" gives a good idea of
Caldecott's style when his aim was chiefly decorative. Miss Greenaway is
the most distinctly so perhaps in the treatment of some of her calendars.
[Illustration: RANDOLPH CALDECOTT.
HEADPIECE TO "BRACEBRIDGE HALL." (MACMILLAN, 1877.)]
[Illustration: KATE GREENAWAY.
KEY BLOCK OF TITLE-PAGE OF "MOTHER GOOSE."
(ROUTLEDGE, N.D.)]
[Sidenote: CHILDREN'S BOOKS.]
Public-domain text, read in full here on John Shaqi.
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