Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
The boy-King and Queen followed tremblingly the steps of their mother,
who strode on in front with triumphant alacrity. Without, on the
pleasant terrace bordered by walls now bristling with guns and alive
with guards and archers, on the pinnacles and fretted roof of the votive
chapel, which stands to the right in a tuft of trees inside a bastion,
the sun shone brightly, but the blue sky and the laughing face of nature
seemed but to mock the hideous spectacle in front. Close under the
windows of the central gallery, a scaffold was erected covered with
black, on which stood an executioner masked, clothed in a red robe. Long
lines of prisoners packed closely together, a dismal crowd, wan and
emaciated by imprisonment in the loathsome holes of the mediæval castle,
stood by hundreds ranged against the outer walls and those of the
chapel, guarded by archers and musketeers; as if such despairing
wretches, about to be butchered like cattle in the shambles, needed
guarding! The windows of the royal gallery were wide open, flags
streamed from the architraves, and a loggia, or covered balcony, had
been prepared, hung with crimson velvet, with seats for the royal
princes.
Within the gallery the whole Court stood ranged against the sculptured
walls. Catherine entered first. With an imperious gesture she signed to
Mary, who clung, white as death, to her husband, to take her place under
a royal canopy placed in the centre of the window. Francis she drew into
a chair beside herself, the Chancellor, the Duc de Guise, his brother
the Cardinal, and the Duc de Nemours seated themselves near. Their
appearance was the signal to begin the slaughter. Prisoner after
prisoner was dragged up beneath the loggia to the scaffold and hastily
despatched. Cries of agony were drowned
[Illustration: THE GARDENS OF THE TUILERIES, PARIS]
in the screeching of fifes and the loud braying of trumpets. The
mutilated bodies were flung on one side to be cast into the river, the
heads borne away to be placed upon the bridge. Blood ran in streams and
scented the fresh spring breezes. The executioner wearily rested from
his labour, and another masked figure, dressed like himself, in red from
head to foot, took his place.
Spellbound and speechless sat the young Queen. A look of horror was on
her face. She had clutched the hand of Francis as she sat down, and ere
a few minutes had passed, she had fainted.
Catherine, who, wholly unmoved, was contemplating the death of her
enemies the Huguenots, turned with a terrible frown towards her son,
handing him some strong essence with which to revive Mary. As her senses
returned, even the basilisk eyes of her dreaded mother-in-law could not
restrain her. One glance at the awful spectacle gave her courage; she
gave a wild scream, and rushing forward, flung herself passionately at
the feet of her uncle, Francis of Guise.
Public-domain text, read in full here on John Shaqi.
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