Besides those above named there is a small class of open crosses,
which, though not built for the purpose of preaching crosses, yet
resemble the latter more than any others, and must therefore, from
the point of view of design and construction, be grouped under the
same head. These, then, comprise the crosses of Bristol, Holbeach
(Lincolnshire), Leighton Buzzard (Bedfordshire), and lastly Winchester.
The High Cross at Bristol (Fig. 9) stood at the junction of four
main thoroughfares: Broad Street, Wine Street, Corn Street, and High
Street. The site had already been occupied by a cross, when a new
cross was erected in 1373. The cross of that date was constructed
of coarse-grained oolite, specially liable to absorb moisture; but
the original paint (blue and vermilion with gilding) effectually
preserved it from the weather for centuries. Above the arches of
the lowest stage was a stage comprising four niches, which were
eventually filled with statuary, standing figures, facing toward the
four cardinal points. A statue of King John faced northward, Henry
III. eastward, Edward III. westward, and Edward IV. southward. The
cross was taken down in 1633, to be erected on an enlarged scale, its
height, by the addition of an extra stage or storey, attaining to a
total of 39 ft. 6 in. The new storey contained four seated figures,
representing, respectively, King Henry VI. facing eastward, Queen
Elizabeth facing westward, King James I. southward, and Charles I.
northward. Above these, again, was a tier of armorial shields, with
pairs of _putti_ for supporters, obviously an addition of the same
period, viz., Charles I.'s reign. Then also was the cross embellished
with fresh painting and gilding, and encircled with an iron railing to
protect its lowest stage. The latter consisted of four open arches,
grouped about a central shaft. The cross was redecorated in 1697. It
was subsequently taken down in 1733. Its remains were then carted to
the Guild Hall, whence, after a short interval, they were taken and
set up in the College Green, to north of the cathedral. There it was
standing in 1737, when R. West made the drawing, which was engraved
and published in 1743. The cross in its new position was painted to
look like grey marble, with the ornaments gilt, and the figures tinted
in their natural colours. Not many years later, viz., in 1763, it was
again taken down, and its portions relegated to an obscure corner of
the cathedral. Finally, Dean Barton gave the remains to Sir Richard
Colt Hoare, of Stourton, who transported them, in August 1766, and set
up the cross once more, with a new base, summit, and central pier in
the gardens of Stourhead, Wiltshire.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account