Fathers and daughters -- Fiction; Man-woman relationships -- Fiction; United States -- Fiction
"And loved Martha in Paris twelve years ago?" murmured Bretton.
"Everybody loved Martha in Paris twelve years ago, you know!"
shrugged Kaire.
"No, I didn't know," said Bretton. "I was in New Zealand about
that time. It was at an insane asylum in Chicago that I first
saw Martha."
"At an insane asylum?" frowned Kaire. "I knew she'd gone queer,
but I never knew it was as queer as that."
"It was quite as queer as that," said Bretton, a bit dryly.
"Right in the midst of one of her best vaudeville acts, it
seems, she went into hysterics because a man in the front row
had on a red tie--and on the way home to her hotel she fainted
in her carriage at a scarlet [203] hat in some brilliantly lighted
shop window. So they shut her up. And a medical friend of mine
was quite a bit interested in the case. Most extraordinarily
simple his explanation was. No Indian massacres involved, no
hidden Bluebeard Chambers. Something as trivial, perhaps, as a
kitten's cut foot bleeding across a child's first white dress--a
nervous injury so trivial that no one had stopped to investigate
it. . . . But thirty years afterward, when Life got ready to
smash her, it went back thirty years and smashed her there!
Seems sort of too bad though," mused Bretton, "to have to be
shut up just because you can't digest red. Some people, you
know, can't digest oysters. And at least two friends of mine
experience an almost complete mental stoppage at the very
mention of Suffrage. Yet _they_ are still at large! . . . So we
got Martha out of the asylum," he quickened, "and reinvested her
life and her fortunes in an all-green jungle, where, except for
a curious impression that I am her benefactor, and the unspoken
but doubtless persistent apprehension that she may even yet
sight the crimson of a gay yacht-cushion or [204] the flare of a
tourist's sweater and revert to chaos again, she seems to me
perfectly normal." With a little grim smack of his lips he
seemed to bite off the end of his narrative. "And that, Sheridan
Kaire," he snapped, "is the full and complete account of my
acquaintance with Martha. . . . But yours----" he attested very
slowly, very distinctly, "was not the full and complete account
of yours!"
With his voice as quiet as a knife Kaire swung round from his
table corner.
"Since when, Mr. Bretton," he asked, "has it been considered
healthy for one man to call another a liar?"
"Whatever worry you have about the healthiness of anything,"
smiled Bretton, "should concern yourself, I think--rather than
me. . . . No one will ever shut _me_ up," he smiled, "because,
like poor Martha, I also am just a little bit color-mad! 'Seeing
red' though isn't what bothers me, you understand?--it's seeing
_yellow_!"
"You think I have a yellow streak?" flushed Kaire.
"Most of us have," smiled Bretton. "But [205] yours--at the
moment--looks to me unduly broad!"
"Why, Old-Dad!" flamed Daphne. "How can you speak so to--to the
man I'm going to marry?
Public-domain text, read in full here on John Shaqi.
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