Among those who had the privilege of knowing Lady Tennyson (and they were
many, and these many were of the best), some are at this moment eloquent
in talk about the perfect helpmate she was to the great poet, and the
perfect mother she was to his children, and they quote those lovely lines
of Tennyson which every one knows by heart:—
Dear, near and true—no truer Time himself
Can prove you, tho’ he make you evermore
Dearer and nearer, as the rapid of life
Shoots to the fall—take this and pray that he
Who wrote it, honouring your sweet faith to him,
May trust himself;—and after praise and scorn,
As one who feels the immeasurable world,
Attain the wise indifference of the wise;
And after autumn past—if left to pass
His autumn into seeming leafless days—
Draw toward the long frost and longest night,
Wearing his wisdom lightly, like the fruit
Which in our winter woodland looks a flower.
Others dwell on the unique way in which those wistful blue eyes of hers
and that beautiful face expressed the “tender spiritual nature” described
by the poet—expressed it, indeed, more and more eloquently with the
passage of years, and the bereavements the years had brought. The
present writer saw her within a few days of her death. She did not seem
to him then more fragile than ordinary. For many years she whose fragile
frame seemed to be kept alive by the love and sweet movements of the soul
within had seemed as she lay upon her couch the same as she seemed when
death was so near—intensely pale, save when a flush as slight as the pink
on a wild rose told her watchful son that the subject of conversation was
interesting her more than was well for her. As a matter of fact,
however, Lady Tennyson was no less remarkable as an intelligence than as
the central heart of love and light that illumined one of the most
beautiful households of our time.
Though her special gift was no doubt music, she had, as Tennyson would
say with affectionate pride, a “real insight into poetical effects”; and
those who knew her best shared his opinion in this matter. Whether, had
her life not been devoted so entirely to others, she would have been a
noticeable artistic producer it is hard to guess. But there is no doubt
that she was born to hold a high place as a conversationalist, brilliant
and stimulating. Notwithstanding the jealous watchfulness of her family
lest the dinner talk should draw too heavily upon her small stock of
physical power, the fascination of her conversation, both as to
subject-matter and manner, was so irresistible that her friends were apt
to forget how fragile she really was until warned by a sign from her son
or, daughter-in-law, who adored her, that the conversation should be
brought to a close.
Public-domain text, read in full here on John Shaqi.
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