Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
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Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
The prisoner lay on his pallet, gasping, with his eyes wide open in a
rigor. "Take her away!" he panted. "Take her away! She has been
here!"
"Hey?" I cried: but my Master turned on me sharply. To this day I know
not how much of evil he suspected.
"I will summon you if I need you. For the present you will leave us
here alone."
Nor can I tell what passed between them for the next half-an-hour.
Only that when he came forth my Master's face was white and set beneath
its dry smear of blood. Passing me, who waited at the end of the
corridor, he said, but without meeting my eyes:
"Go to him. The end is near."
I went to him. He lay pretty much as I had left him, in a kind of
stupor; out of which, within the hour, he started suddenly and began to
rave. Soon I had to send for a couple of our stablemen; and not too
soon. For by this he was foaming at the mouth and gnashing, the man in
him turned to beast and trying to bite, so that we were forced to strap
him to his bed. I shall say no more of this, the most horrible sight of
my life. The end came quietly, about six in the evening: and we buried
the poor wretch that night in the orchard under the chapel wall.
All that day, as you may guess, I saw nothing of the strange lady.
And on the morrow until dinner-time I had but a glimpse of her.
This was in the forenoon. She stood, with her hound beside her, in an
embrasure of the wall, looking over the sea: to the eye a figure so
maidenly and innocent and (in a sense) forlorn that I recalled Gil
Perez' tale as the merest frenzy, and wondered how I had come to listen
to it with any belief. Her seaward gaze would be passing over the very
spot where we had laid him: only a low wall hiding the freshly turned
earth. My Master had ridden off early: I could guess upon what errand.
He returned shortly after noon, unhurt and looking like a man satisfied
with his morning's work. And at dinner, watching his demeanour
narrowly, I was satisfied that either he had not heard the prisoner's
tale or had rejected it utterly. For he took his seat in the gayest
spirits, and laughed and talked with the stranger throughout the meal.
And afterwards, having fetched an old lute which had been his mother's,
he sat and watched her fit new strings to it, rallying her over her
tangle. But when she had it tuned and, touching it softly, began the
first of those murmuring heathenish songs to which I have since listened
so often, pausing in my work, but never without a kind of terror at
beauty so far above my comprehending--why, then my Master laughed no
more.
Public-domain text, read in full here on John Shaqi.
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