Thirlwall’s life as a bishop did not differ much, at least in its outward surroundings, from his life as a parish clergyman. The palace at S. David’s having been allowed to fall to ruin, the Bishop is compelled to live at Abergwili, a small village near Carmarthen, distant nearly fifty miles from his cathedral. Most persons would have regretted the isolation of such a position, but to Thirlwall the enforced solitude of Abergwili was thoroughly congenial. There he could read, as he delighted to do, ‘literally from morning till night.’ Except in summer time he rarely quitted ‘Chaos,’ as he called his library, where books lined the walls and shared with papers and letters the tables, chairs, and floor. It is curious that a man with so orderly a mind should have had such disorderly habits. His letters are full of references to lost papers; and when offers to arrange his drawers were made he would answer regretfully, ‘I can find nothing in them now, but if they were set to rights for me I should certainly find nothing then.’ Books accompanied him to his meals; and when he went out for a walk or a drive he read steadily most of the time. He does not seem to have had any favourite authors; he read eagerly new books in all languages and on all subjects. We believe that he took no notes of what he read; but his singularly powerful memory enabled him to seize all that he wanted, and, as may be seen from the collection of his writings which is now before us, to retain it until required for use. His charges, essays, and serious correspondence reveal his mastery of theological literature, both past and present; the charming _Letters to a Friend_ give us very pleasant glimpses of the gentler side of his character. We find from them that he took a keen interest in the general literature of England and the Continent, whether in philosophy, science, history, biography, fiction, poetry; and, as he and his young correspondent exchanged their sentiments without restraint, we can enjoy to the full his criticisms, now serious, now playful, on authors and their productions, his generous appreciation of all that is noble in life or art. We must find room for one passage on George Eliot’s last story, written in 1872, when he was seventy-five years old. ‘I suppose you cannot have read _Middlemarch_, as you say nothing about it. It stands quite alone. As one only just moistens one’s lips with an exquisite liqueur to keep the taste as long as possible in one’s mouth, I never read more than a single chapter of _Middlemarch_ in the evening, dreading to come to the last, when I must wait two months for a renewal of the pleasure. The depth of humour has certainly never been surpassed in English literature. If there is ever a shade too much learning that is Lewes’s fault[64].’