Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of LancasterCannan, Gilbert
General
Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of Lancaster
Cannan, Gilbert
England -- Fiction; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Theater -- Fiction
She had not thought about him and was nonplussed. However, he needed
very little cajoling before he gave his consent to her plan, and she
told him that if he got bored he could easily go away by himself and
come back when he wasn't bored any longer. Inwardly he felt that the
difficulty was not going to be so easily settled as all that, but he
was on the whole relieved to be rid of Mr. Copas, who had arranged to
move on as soon as the pantomime opened to the distraction of the
public and the devastation of his business. When Mr. Mole announced
his intention of remaining the actor was affronted and refused to
speak to him again. Matilda said, a little maliciously, that he was
afraid of being asked for the money he owed them, and that was her
parting shot after Mrs. Copas, who got her own back with the loud
sneer in Mr. Mole's presence:
"There's not many married women would wear tights and not many
husbands would let 'em."
Old Mole gasped, and looked forward with dread to the first
performance of the pantomime. He was spared the indignity of tights,
for the fifty women in the chorus were divided into "girls" and
"boys," in accordance with their size, and Matilda was a "girl." She
took her work very seriously, put far more energy into it than she had
ever done into "Iphigenia" or "Josephine." The theater, one of the
largest in England, awed her by the size of its machinery, and she was
excited and impressed by all the talk and gossip she heard of the
doings of the theaters and the halls. She disliked most of her
colleagues in the chorus, and of the principals only one was not too
exalted to take notice of her. This was a young actor named,
professionally, Carlton Timmis (pronounced Timms), who played the
Demon King. He was very attentive and kind to her, and when she asked
if she might introduce him to her husband he was obviously dismayed,
but expressed himself as delighted. He was a rather beautiful young
man and very romantic, and he and Old Mole found much to talk of
together.
"You can't think," said Timmis, "what a relief it is to meet a man
with a soul. Among all those idiots one is parched, withered, dried
up."
And much the same thought was in Old Mole's mind. Looking back he was
astonished that he could for so long have tolerated the unintelligent
society in which he had been cast. Timmis had decided, if erratic,
opinions, and he loved nothing better than gloomily to grope after
philosophical conceptions. Being very young and unsuccessful, he was
pessimistic and clutched eagerly at everything which encouraged him in
his belief in a world blindly responding to some mysterious law of
destruction. Old Mole was inclined toward optimistic Deism and
materialism, and they struck sparks out of each other, Timmis moving
in a whirl of nebulous ideas, and his interlocutor moving so slowly
that, by contrast, he seemed almost rigid.
Public-domain text, read in full here on John Shaqi.
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