Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf WhittierWhittier, John Greenleaf
History
Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
Biography
No stronger testimony to the high-toned morality and austere virtue of
the Puritan yeomanry of England can be adduced than the fact that, of the
fifty thousand soldiers who were discharged on the accession of Charles
II., and left to shift for themselves, comparatively few, if any, became
chargeable to their parishes, although at that very time one out of six
of the English population were unable to support themselves. They
carried into their farm-fields and workshops the strict habits of
Cromwell's discipline; and, in toiling to repair their wasted fortunes,
they manifested the same heroic fortitude and self-denial which in war
had made them such formidable and efficient "Soldiers of the Lord." With
few exceptions, they remained steadfast in their uncompromising non-
conformity, abhorring Prelacy and Popery, and entertaining no very
orthodox notions with respect to the divine right of Kings. From them
the Quakers drew their most zealous champions; men who, in renouncing the
"carnal weapons" of their old service, found employment for habitual
combativeness in hot and wordy sectarian warfare. To this day the
vocabulary of Quakerism abounds in the military phrases and figures which
were in use in the Commonwealth's time. Their old force and significance
are now in a great measure lost; but one can well imagine that, in the
assemblies of the primitive Quakers, such stirring battle-cries and
warlike tropes, even when employed in enforcing or illustrating the
doctrines of peace, must have made many a stout heart' to beat quicker,
tinder its drab coloring, with recollections of Naseby and Preston;
transporting many a listener from the benches of his place of worship to
the ranks of Ireton and Lambert, and causing him to hear, in the place of
the solemn and nasal tones of the preacher, the blast of Rupert's bugles,
and the answering shout of Cromwell's pikemen: "Let God arise, and let
his enemies be scattered!"
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