Old times : $b A picture of social life at the end of the eighteenth centuryAshton, John
History
Old times : $b A picture of social life at the end of the eighteenth century
Ashton, John
Great Britain -- Social life and customs
With very low bodices, and very high waists, came very scanty
clothing, with an absence of petticoat, a fashion which left very
little of the form to the imagination. I do not say that our English
Belles went to the extent of some of their French sisters, of having
their muslin dresses put on damp--and holding them tight to their
figures till they dried--so as absolutely to mould them to their form,
or that they ever discarded stockings, and went to balls with bare
feet, and only wearing sandals, having on but the lightest of
classical clothing--but their clothes were of the scantiest, and we
shall find that, as year succeeded year, this fashion developed, if
one can call diminution of clothing, development. Men made fun of it,
_vide_ the following from the _Times_, 12th August, 1794:--"Amongst
prudent papas, the favourite toast at this time is 'The present
fashion of our wives and daughters,' viz. _No Waste_."
There was a very pretty song, called "Shepherds, I have lost my love,
Have you seen my Anna?"--and this was parodied as follows--the music
being the same as the original song:--
[Song: SHEPHERDS, I HAVE LOST MY WAIST.
Shep-herds, I have lost my waist, Have you seen my bo - - dy?
Sac - ri - ficed to mo-dern taste, I'm quite a hod - dy dod - - dy.
For fashion I that part for - sook Where sages place the bel - - - ly;
'Tis gone, and I have not a nook For cheesecake, tart, or jel - ly.]
"Never shall I see it more,
Till, common sense returning,
My body to my legs restore,
Then I shall cease from mourning,
Folly and fashion do prevail
To such extremes among the fair,
A woman's only top and tail,
The body's banish'd God knows where!'
[Illustration: A Scarecrow--1793.]
[Illustration: Shepherds! I have lost my waist.--1794.]
[Illustration: Following the Fashion.]
[Illustration: Following the Fashion.]
That a fashion may become one person, and not another, is peculiarly
exemplified by the two following pictures by Gillray, 9th December,
1794, both called "Following the Fashion:"--
"St. James's giving the Ton, | "Cheapside aping the Mode,
a Soul without a Body. | a Body without a Soul."
* * * * *
The tax on Hair powder was much objected to; people had been used,
for a long time, to grease, and powder their hair and wigs; and, when
the duty of a Guinea per head was passed, many left off using it. The
illustration "Leaving off Powder, or a Frugal family saving a
Guinea," was doubtless the fact in many a family. The man, in the
coloured engraving, with his "crop," to our eyes does not look so
singular, as the lady, with her "fausse chevelure" unpowdered looks so
bad, that, no wonder, ladies reverted to their own locks, as we see
in future illustrations. So also shall we see the "Cap" of the
period, the length of which is most amusingly portrayed.
Public-domain text, read in full here on John Shaqi.
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