Old times : $b A picture of social life at the end of the eighteenth centuryAshton, John
History
Old times : $b A picture of social life at the end of the eighteenth century
Ashton, John
Great Britain -- Social life and customs
[Illustration: A Modern Belle going to the Rooms or Balls--1796.]
But Feathers were now used on the shafts levelled at the vagaries of
Fashion.
"At all elegant Assemblies, there is a room set apart for the
lady visitants to put their feathers on, as it is impossible to
wear them in any carriage with a top to it. The lustres are also
removed upon this account, and the doors are carried up to the
height of the ceiling. A well-dressed Lady, who nods with
dexterity, can give a friend a little tap upon the shoulder
across the room, without incommoding the dancers. The Ladies'
feathers are now generally carried in the sword-case, at the back
of the carriage."--(_Times, Dec. 29, 1795._)
* * * * *
"A young lady, _only ten feet high_, was overset in one of the
late gales of wind, in Portland Place, and the upper mast of her
feather blown upon Hampstead Hill."
"The _maroon fever_ has been succeeded by a very odd kind of
light-headedness, which the physicians call the _ptereo mania_,
or feather folly."
"The Ladies now wear feathers exactly of their own length, so
that a woman of fashion is twice as long upon her feet as in her
bed."--(_Times, Dec. 30, 1795._)
* * * * *
"We saw a feather in Drury Lane Theatre, yesterday evening, that
cost _ten_ guineas. We should have thought the _whole goose_ not
worth the money."--(_Times, Jan. 6, 1796._)
Here is a contrivance by which "A Modern Belle going to the Rooms or
Balls" can go fully dressed, with her feathers fixed:--
"There is to be seen in Gt. Queen Street, a Coach upon a new
construction. The Ladies set in this well, and see between the
spokes of the wheels. With this contrivance the fair proprietor
is able to go quite dressed to her visits, her feathers being
only a yard and a half high."--(_Times, Jan. 22, 1796._)
The freaks of fashion, towards the latter end of 1795, are most
curious. "Waggoner's frocks," and the "Petticoat" dress, are singular
illustrations of feminine taste. This latter is noticed in a paragraph
in the _Times_, 27th Oct. 1795. "The present fashionable dress is the
most simple imaginable. The petticoat is pinned to the Cravat, and the
arms come out at the pocket holes."
"The only new fashions that remain for our modern belles are
certainly puzzling and difficult. There can be nothing new, but
going either dressed or naked."--(_Times, Jan. 27, 1796._)
The following paragraph from the _Times_ refers not only to the
general absence of dress, but also to the famous (or infamous) Miss
Chudleigh, a maid of Honour to the Queen, afterwards Duchess of
Kingston, and tells the story of how the Princess of Wales, wife of
Frederick (father of George III.), rebuked her for her nakedness.
Public-domain text, read in full here on John Shaqi.
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