Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
Stranger still to relate, Mrs. Hilliard was too secure of her position,
and too defiant of censure, to ignore for a moment the thread of
relationship between herself and the Constables of Friarton Mill. On
the contrary, she proclaimed it openly with evident cold blood whenever
she had occasion to do so, compelling confidence and respect in her
hearers. For if Mrs. Hilliard could afford to make light of, nay, to
sport, her far-away cousinship to the family of a provincial miller and
baker, her acquaintances might rest on the conviction that she had
substantial claims on their regard in much closer alliance with the
families in canons’ houses in cathedral closes, in government houses
abroad, in pleasant little houses near Hyde Park or at Kensington. But
in reality the eccentricity belonged rather to the idiosyncrasy of the
woman than to the remoteness of the relationship which she elected to
count with the Constables.
Mrs. Hilliard had been ready to hold out her hand to the Constable
young people, which was one of the offences Fan, though she could not
dispense with the hand, had not been able to forgive. This was not pure
perversity and ingratitude in Fan Constable. It was the result of the
observation that Mrs. Hilliard laughed, without taking the trouble to
conceal it, at Fan’s serious pretensions, and that the older woman was
as little, as the younger was much, in earnest.
The Meadows was a wide white house, cheerful in its whiteness, and,
at the same time, amply shaded and sheltered by old and luxuriant
shrubberies, of which the Portugal laurels, Irish yews and hollies were
giants of their kind, while the lilacs, Guelder roses, and syringas
offered, in their season, pyramids, piles, and thickets of flowers.
The public rooms were all on the ground floor; and, in the case of the
drawing-room, the long French windows, which faced the south, opened
to the lawn with its clumps of rhododendrons and brakes of thorns,
and its glimpse in mid distance, through an archway of roses, of the
flower-garden.
Public-domain text, read in full here on John Shaqi.
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