Oliver Constable, miller and baker, Vol. 1 (of 3)Tytler, Sarah
Philosophy
Oliver Constable, miller and baker, Vol. 1 (of 3)
Tytler, Sarah
England -- Social conditions -- 19th century -- Fiction
Altogether the arrangement, which had continued from the time that
Catherine Hilliard was eighteen, up to the present date when she was
in her twenty-third year, had answered admirably. Mrs. Hilliard was
the reverse of exacting, and she was even forbearing and indulgent
where Catherine’s dissimilar tastes and habits were concerned. On
Catherine’s side she was not so ignorant and abstracted in her want of
knowledge of human nature and absorption in her own pursuits, as to be
unaware how much colder and more forlorn a place the world would have
proved to her, if Mrs. Hilliard had forgotten their cousinship and had
not extended to the girl an older woman’s friendly protection, and
given her a home with a member of her kindred. Catherine cherished
in silence and reserve sentiments of gratitude and affection for her
cousin Louisa, and was a good deal more under her influence than could
easily have been supposed. But there was a hitch—what miners call
‘a fault’—between Catherine and ordinary humanity, the consequences
of which were so plain that Fan Constable, who was not in the other
girl’s confidence, could read them though she could not trace them to
their source. Without near ties, without clear, positive duties—apart
from the obligation to keep the ten commandments and lead what she
understood of a Christian life, Catherine Hilliard was thrown back
and in upon herself, which, unless as a discipline to teach her how
insufficient she was for any achievement she really valued, seemed
about the worst experience she could have encountered. She was like a
plant withdrawn from the wholesome, common, out-of-door influences
of sun, rain, wind, and a touch of frost, while the plant is at the
same time subjected in one part of its cellular tissue to the strain
of over-stimulus and over-cultivation. Though Catherine lived in a
house full of lively movement, with many comers and goers, though
she was on excellent terms with the house’s mistress and its circle
or circles, the girl remained always like an unfamiliar visitor in
what served her for a home. She was only in, not of, its circles.
Catherine’s was largely an inner world of fancy and feeling; its
scenes furnished by the vivid representations which she drew in her
mind, of places and incidents met with in her books; its characters,
ideal personages, ghosts and shades—goodly ghosts and heroic shades,
no doubt, but destitute of the substantiality and warmth, and what is
salutary even in the provoking contradictions, the piteous failures,
the tough warfare of flesh and blood. There was a certain bloodlessness
and fantasticalness about Catherine’s world, amidst much that was
noble and sweet in it. She had an aching consciousness of a hollow
emptiness about it, and not of a gaping void alone, but of a harsh
discord between it and the actual world. She felt herself getting more
and more fastidious and captious and—she feared—horribly selfish. She
moped a good deal, as well as mused.
Public-domain text, read in full here on John Shaqi.
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