Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
“Never mind me, my dear,” said the old lady; “I’m only having a regular
good cry. There; it’s all over now; and I’m quite comfortable.”
“You’re very, very kind to me, ma’am,” said Oliver.
“Well, never you mind that, my dear,” said the old lady; “that’s got
nothing to do with your broth; and it’s full time you had it; for the
doctor says Mr. Brownlow may come in to see you this morning; and we
must get up our best looks, because the better we look, the more he’ll
be pleased.” And with this, the old lady applied herself to warming up,
in a little saucepan, a basin full of broth: strong enough, Oliver
thought, to furnish an ample dinner, when reduced to the regulation
strength, for three hundred and fifty paupers, at the lowest
computation.
“Are you fond of pictures, dear?” inquired the old lady, seeing that
Oliver had fixed his eyes, most intently, on a portrait which hung
against the wall; just opposite his chair.
“I don’t quite know, ma’am,” said Oliver, without taking his eyes from
the canvas; “I have seen so few that I hardly know. What a beautiful,
mild face that lady’s is!”
“Ah!” said the old lady, “painters always make ladies out prettier than
they are, or they wouldn’t get any custom, child. The man that invented
the machine for taking likenesses might have known _that_ would never
succeed; it’s a deal too honest. A deal,” said the old lady, laughing
very heartily at her own acuteness.
“Is—is that a likeness, ma’am?” said Oliver.
“Yes,” said the old lady, looking up for a moment from the broth;
“that’s a portrait.”
“Whose, ma’am?” asked Oliver.
“Why, really, my dear, I don’t know,” answered the old lady in a
good-humoured manner. “It’s not a likeness of anybody that you or I
know, I expect. It seems to strike your fancy, dear.”
“It is so pretty,” replied Oliver.
“Why, sure you’re not afraid of it?” said the old lady: observing in
great surprise, the look of awe with which the child regarded the
painting.
“Oh no, no,” returned Oliver quickly; “but the eyes look so sorrowful;
and where I sit, they seem fixed upon me. It makes my heart beat,”
added Oliver in a low voice, “as if it was alive, and wanted to speak
to me, but couldn’t.”
“Lord save us!” exclaimed the old lady, starting; “don’t talk in that
way, child. You’re weak and nervous after your illness. Let me wheel
your chair round to the other side; and then you won’t see it. There!”
said the old lady, suiting the action to the word; “you don’t see it
now, at all events.”
Public-domain text, read in full here on John Shaqi.
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