Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
General
Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
The old gentleman looked almost as rueful as Oliver when the key
grated in the lock. He turned with a sigh to the book, which had
been the innocent cause of all this disturbance.
‘There is something in that boy’s face,’ said the old gentleman to
himself as he walked slowly away, tapping his chin with the cover
of the book, in a thoughtful manner; ‘something that touches and
interests me. _Can_ he be innocent? He looked like--Bye the bye,’
exclaimed the old gentleman, halting very abruptly, and staring up
into the sky, ‘Bless my soul!--where have I seen something like that
look before?’
After musing for some minutes, the old gentleman walked, with the
same meditative face, into a back anteroom opening from the yard;
and there, retiring into a corner, called up before his mind’s eye
a vast amphitheatre of faces over which a dusky curtain had hung for
many years. ‘No,’ said the old gentleman, shaking his head; ‘it must
be imagination.
He wandered over them again. He had called them into view, and it
was not easy to replace the shroud that had so long concealed them.
There were the faces of friends, and foes, and of many that had been
almost strangers peering intrusively from the crowd; there were the
faces of young and blooming girls that were now old women; there
were faces that the grave had changed and closed upon, but which the
mind, superior to its power, still dressed in their old freshness
and beauty, calling back the lustre of the eyes, the brightness of
the smile, the beaming of the soul through its mask of clay, and
whispering of beauty beyond the tomb, changed but to be heightened,
and taken from earth only to be set up as a light, to shed a soft
and gentle glow upon the path to Heaven.
But the old gentleman could recall no one countenance of which
Oliver’s features bore a trace. So, he heaved a sigh over the
recollections he awakened; and being, happily for himself, an absent
old gentleman, buried them again in the pages of the musty book.
He was roused by a touch on the shoulder, and a request from the
man with the keys to follow him into the office. He closed his book
hastily; and was at once ushered into the imposing presence of the
renowned Mr. Fang.
The office was a front parlour, with a panelled wall. Mr. Fang sat
behind a bar, at the upper end; and on one side the door was a sort
of wooden pen in which poor little Oliver was already deposited;
trembling very much at the awfulness of the scene.
Mr. Fang was a lean, long-backed, stiff-necked, middle-sized man,
with no great quantity of hair, and what he had, growing on the back
and sides of his head. His face was stern, and much flushed. If
he were really not in the habit of drinking rather more than was
exactly good for him, he might have brought action against his
countenance for libel, and have recovered heavy damages.
Public-domain text, read in full here on John Shaqi.
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