Olivia : $b or, It was for her sakeGarvice, Charles
General
Olivia : $b or, It was for her sake
Garvice, Charles
Dime novels; English fiction
“Yes. And you think Mr. Faradeane had no thought of our amusement and
applause--yours and Mr. Bradstone’s and mine?” she asked, with her rare
smile.
“No; I think he exerted himself for the squire and the girls. It’s just
like his good nature.”
“You appear to have become very intimate with him in a short time,”
said Olivia.
Poor Bertie colored a deep red, which the darkness luckily concealed.
“Well, you see, he’s the sort of man you do learn to know quickly;
so--so frank.”
“Frank!” with a smile.
“Well,” he stammered, “not exactly frank, but----”
Olivia laughed.
“Never mind,” she said. “What you mean to say is that you admire him
very much, and that, like papa, you have ‘taken to him.’”
“That’s it,” said Bertie, with a sigh of relief. “So the squire likes
him, does he? Well, I’m not surprised. I hope they’ll be great friends.
He’ll cheer the squire up, and he wants it, dear old squire.”
Olivia turned to him with anxious eagerness.
“Then you have noticed that papa has been dull and low-spirited
lately?” she said.
“Yes; I--I don’t think he has been quite up to his usual form. He looks
bothered and worried about something,” said Bertie. “But don’t be
uneasy, Olivia; it can’t be anything serious. What could trouble him?”
Olivia looked vacantly at the feathers nodding on Aunt Amelia’s hat.
“I don’t know of anything,” she said, thoughtfully. “No, there can be
nothing. What is Mr. Faradeane going to recite to-night?” she asked,
after a pause.
“I haven’t the least idea,” replied Bertie. “He has said nothing to me
about it. Whatever it is will sure to be well done, you may depend.
Here we are.”
The entertainment had evidently been regarded as an event of some
importance, for there was a tolerably long string of carriages at the
door, and Olivia, as she entered the schoolroom on Bertie’s arm, saw
that the place was crammed. Their appearance was the signal for a burst
of clapping and stamping, and passing up a narrow lane between the
chairs, they made their way to the platform amid a hearty welcome.
Aunt Amelia, “all becks and nods and wreathed smiles,” ushered them
into chairs--all except Faradeane, who took his seat in a corner among
the audience--and the performance was proceeded with.
It was like the usual village entertainment. There was the church choir
with a part song--sung by half-a-dozen girls and young men, the former
all giggles, the latter all hands and feet. Then the vicar, with a
vacuous smile, obliged with a solo on the concertina--by no means badly
played; and Faradeane would have enjoyed it if the worthy man had not
opened his mouth at all the high notes, and frowned terribly at all the
low ones. Then a pale young lady sang a sentimental ballad in a voice
which only reached the first two rows of chairs; and, following her, a
pale young gentleman, with narrow shoulders, growled out “The Village
Blacksmith.”
Public-domain text, read in full here on John Shaqi.
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