Olivia : $b or, It was for her sakeGarvice, Charles
General
Olivia : $b or, It was for her sake
Garvice, Charles
Dime novels; English fiction
“Must we go back in those stuffy carriages,” she said, in a low voice.
“Can we not walk, aunt?”
“Certainly you may,” replied Miss Amelia. “But I think I will ride;
these night dews are rather treacherous, I’m sure,” and she dropped her
head on her shoulder, and simpered, “Mr. Bradstone will be kind enough
to take care of me.”
Bartley Bradstone’s face would have supplied a fine study for a painter
of character, but he was helpless; and with a stifled oath, gave her
his arm.
The two Penstone girls, of course, drew back, and declined, with
distinct emphasis, the mere idea of riding.
“All right, then,” said Bertie. “Come on!” and the young people set out.
Annie and Mary, in their eagerness to vent their amazement and pent-up
enthusiasm, caught him timidly, but effectually, by either arm, and
began at once:
“Oh, Lord Granville, did you--now, did you ever hear anything like it?
Wasn’t it simply wonderful?” etc., and poor Bertie, closely arrested,
saw his goddess walk on with Faradeane.
He did not offer his arm, and they went on in silence for some minutes.
Any attempt to describe the varied emotions which swept through
Olivia’s sensitive heart would be impossible.
The spell of his voice was on her still; the fascination of his dark,
handsome face still held her in thrall.
Women admire men for many qualities; their strength, their good looks,
their courage, their art, sometimes--but not often, alas!--their
wisdom. And to-night, under the moonlight, Olivia was full of
admiration for this man whom the gods had dowered with so many gifts.
He had proved his courage in risking his life for Bessie, his face was
handsome enough to haunt the dreams of a sculptor, and to-night he had
exercised a power of imagination and voice and influence that had moved
a crowded audience.
Think of it! An impressionable girl, full of poetry, and ready as wax
to receive an impression, and wonder not that as she walked beside him
she felt magnetized, attracted, fascinated.
She was pale still, still slightly tremulous, and her breath came
slowly and heavily. Lines of the exquisite poem into which he had
breathed life and reality still rang in her ears. She could find
nothing to say that would not have sounded to her ears hideously
commonplace.
And it was he who first spoke.
“Miss Vanley,” he said, “I have an uncomfortable feeling of guilt.”
She looked up at him instantly, with that look which a woman turns upon
the man on whom her mind is fixed.
“Guilt!” she echoed.
He smiled at the almost tragic tones of her voice.
“Yes, I have an uneasy feeling that I have made you uncomfortable with
my uncanny performance.”
“No,” she said, slowly, “not uncomfortable.”
“It was a stupid thing to do,” he went on. “Stupid and unsuitable to
the bulk of the audience; but my excuse--well, my only excuse is that I
knew no other piece, and was too--well, too lazy to learn any other. I
will never recite it again.”
Public-domain text, read in full here on John Shaqi.
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