Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
of such monuments down to the first century B. C., with the exception
of a few metrical epigrams, make no mention of dedications, and that in
these exceptions the word ἀνέθηκε was added for metrical reasons,[371]
while during the same centuries regular votive offerings (ἀναθῆματα)
invariably have the word ἀνέθηκε.[372] One inscription, that from the
base of the statue of Euthymos of Lokroi, is both metrical and in
prose;[373] but it seems to have been changed later in two places, the
second line originally ending in a pentameter, and the third line, with
ἀνέθηκε, being added afterwards.[374] Also the prose inscription[375]
referred by Roehl to the statue of the wrestler Milo is rejected
by Dittenberger. The oldest prose inscription which makes a votive
offering out of a victor statue at Olympia is that of Thaliarchos,
who won his second victory in boxing some time between 40 and 30 B.
C.[376] Then follow certain prose inscriptions of imperial times.[377]
Dittenberger concludes that for four hundred years there is no case
of such a dedication.[378] From the evidence of the inscriptions
from statue bases, therefore, it is clear that the distinction made
by Pausanias between honor and victor statues did not hold good
in his day, since the words ἀνάθημα and ἀνέθηκε were then used on
victor monuments at Olympia, as the inscriptions of the imperial age
just cited show, but that it did hold good for centuries before the
Roman period. Pausanias must have based his statement, therefore,
not on observation, but on the words of some earlier writer.[379]
Furtwaengler’s reasoning has been followed pretty generally by
archæologists.[380] While some, however, leave the question in
doubt,[381] others are opposed to the idea that these statues were not
votive. Thus R. Schoell believes that the victor monuments were as
truly ἀναθήματα as the olive crowns.[382] Reisch, who has discussed the
question at length,[383] believes, in opposition to the earlier view of
Furtwaengler, that everything within the Altis must always _ipso facto_
have been regarded as dedications to the god. This would explain the
frequent omission of the name of the god, which would be superfluous,
the victor being content with inscribing his own name and the contest
in which he was victorious. Even the name of the contest does not
always appear.[384] Reisch explains the omission of the formula ἀνέθηκε
in earlier inscriptions on the ground of epigrammatic brevity.[385]
Public-domain text, read in full here on John Shaqi.
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