In another five minutes we had all but completed a circle, and were on the other side of the tamarack thicket. And there were the prints of the bodies of the great beasts. We could see even the imprint of the hair of their coats. All around were broken twigs and balsam needles. The moose had left the branches ragged, and on every hand the young bark was chewed or rubbed raw. Loading our rifles had lost us a herd of moose. [Illustration: IN SIGHT OF THE GAME--"NOW SHOOT!"] Back once again at the beaver dam, Alexandre and Pierre studied the moose-tramped snow and talked earnestly. They agreed that a desperate battle had been fought there between two bull moose a week before, and that those bulls were not in the "yard" where we had blundered. They examined the tracks over an acre or more, and then strode off at an obtuse angle from our former trail. Pierre, apparently not quite satisfied, kept dropping behind or disappearing in the bush at one side of us. So magnificent was his skill at his work that I missed him at times, and at other times found him putting his feet down where mine were lifted up without ever hearing a sound of his step or of his contact with the undergrowth. Alexandre presently motioned us with a warning gesture. He slowed his pace to short steps, with long pauses between. He saw everything that moved, heard every sound; only a deer could throw more and keener faculties into play than this born hunter. He heard a twig snap. We heard nothing. Pierre was away on a side search. Alexandre motioned us to be ready. We crept close together, and I scarcely breathed. We moved cautiously, a step at a time, like chessmen. It was impossible to get an unobstructed view a hundred feet ahead, so thick was the soft-wood growth. It seemed out of the question to try to shoot that distance. We were descending a hill-side into marshy ground. We crossed a corner of a grove of young alders, and saw before us a gentle slope thickly grown with evergreen--tamarack, the artist called it. Suddenly Alexandre bent forward and raised his gun. Two steps forward gave us his view. Five moose were fifty yards away, alarmed and ready to run. A big bull in the front of the group had already thrown back his antlers. By impulse rather than through reason I took aim at a second bull. He was half a height lower down the slope, and to be seen through a web of thin foliage. Alexandre and the artist fired as with a single pull at one trigger. The foremost bull staggered and fell forward, as if his knees had been broken. He was hit twice--in the heart and in the neck. The second bull and two cows and a calf plunged into the bush and disappeared. Pierre found that bull a mile away, shot through the lungs.