There is in literature no more seductive illustration of this seductive
type than Rousseau's renowned character of the Savoyard
Vicar--penetrated with scepticism as to the attributes of the deity, the
meaning of the holy rites, the authenticity of the sacred documents; yet
full of reverence, and ever respecting in silence what he could neither
reject nor understand. 'The essential worship,' he says, 'is the worship
of the heart. God never rejects this homage, under whatever form it be
offered to him. In old days I used to say mass with the levity which in
time infects even the gravest things when we do them too often. Since
acquiring my new principles [of reverential scepticism] I celebrate it
with more veneration: I am overcome by the majesty of the Supreme Being,
by his presence, by the insufficiency of the human mind, which conceives
so ill what pertains to its author. When I approach the moment of
consecration, I collect myself for performing the act with all the
feelings required by the church and the majesty of the sacrament. I
strive to annihilate my reason before the Supreme Intelligence, saying,
Who art thou that thou shouldst measure infinite power?'[17]
The Savoyard Vicar is not imaginary. The acquiescence in indefinite
ideas for the sake of comforted emotions, and the abnegation of strong
convictions in order to make room for free and plenteous effusion, have
for us all the marks of a too familiar reality. Such a doctrine is an
everyday plea for self-deception, and a current justification for
illusion even among some of the finer spirits. They have persuaded
themselves not only that the life of the religious emotions is the
highest life, but that it is independent of the intellectual forms with
which history happens to have associated it. And so they refine and
sophisticate and make havoc with plain and honest interpretation, in
order to preserve a soft serenity of soul unperturbed.
Public-domain text, read in full here on John Shaqi.
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