On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
The later drafts of some lines I wrote recently called CYNICS AND
ROMANTICS, and contrasting the sophisticated and ingenuous ideas of
Love, give a fairly good idea of the conscious process of getting a poem
in order. I make no claim for achievement, the process is all that is
intended to appear, and three or four lines are enough for
illustration:
_1st Draft._
In club or messroom let them sit,
Let them indulge salacious wit
On love’s romance, but not with hearts
Accustomed to those healthier parts
Of grim self-mockery....
_2nd Draft._ (Consideration:--It is too soon in the poem for the angry
jerkiness of “Let them indulge.” Also “Indulge salacious” is hard to
say; at present, this is a case for being as smooth as possible.)
In club or messroom let them sit
Indulging contraversial wit
On love’s romance, but not with hearts
Accustomed....
_3rd Draft._ (Consideration:--No, we have the first two lines beginning
with “In.” It worries the eye. And “sit, indulging” puts two short “i’s”
close together. “Contraversial” is not the word. It sounds as if they
were angry, but they are too blasé for that. And “love’s romance” is
cheap for the poet’s own ideal.)
In club or messroom let them sit
At skirmish of salacious wit
Laughing at love, yet not with hearts
Accustomed....
_4th Draft._ (Consideration:--Bother the thing! “Skirmish” is good
because it suggests their profession, but now we have three S’s,--“sit,”
“skirmish,” “salacious.” It makes them sound too much in earnest. The
“salacious” idea can come in later in the poem. And at present we have
two “at’s” bumping into each other; one of them must go. “Yet” sounds
better than “but” somehow.)
In club or messroom let them sit
With skirmish of destructive wit
Laughing at love, yet not with hearts
Accustomed....
_5th Draft._ (Consideration:--And now we have two “with’s” which don’t
quite correspond. And we have the two short “i’s” next to each other
again. Well, put the first “at” back and change “laughing at” to
“deriding.” The long “i” is a pleasant variant; “laughing” and “hearts”
have vowel-sounds too much alike.)
In club or messroom let them sit
At skirmish of destructive wit
Deriding love, yet not with hearts
Accustomed....
_6th Draft._ (Consideration:--Yes, that’s a bit better. But now we have
“_des_tructive” and “_der_iding” too close together. “Ingenious” is more
the word I want. It has a long vowel, and suggests that it was a really
witty performance. The two “in’s” are far enough separated. “Accorded”
is better than “accustomed”; more accurate and sounds better. Now
then:--)
In club or messroom let them sit
At skirmish of ingenious wit
Deriding love, yet not with hearts
Accorded etc.
(Consideration:--It may be
rotten, but I’ve done my best.)
The discussion of more radical constructive faults is to be found in
PUTTY and THE ART OF EXPRESSION.
XLV
Public-domain text, read in full here on John Shaqi.
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