On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjectiveGraves, Robert
History
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
Graves, Robert
English poetry -- History and criticism
No poem can turn out respectably well unless written in the full
confidence that this time at last the poet is going to attain perfect
expression. So long as this confidence survives he goes on revising the
poem at intervals for days or months until nothing more can be done, and
the inevitable sense of failure is felt, leaving him at liberty to try
again. It is on this inevitable failure that the practice of every art
is made conditional.
* * * * *
A man once went into an ironmonger’s shop and said hesitatingly, “Do you
sell those gadgets for fixing on doors?”
“Well, sir,” replied the assistant, “I am not quite sure if I understand
your requirements, but I take it you are needing a patent automatic
door-closer?”
“Exactly,” said the customer. “One to fix on my pantry door which, by
the way, contains a glass window.”
“You will want a cheap one, sir?”
“Cheap but serviceable.”
“You will prefer an English make, sir?”
“Indeed, that’s a most important consideration.”
“You will perhaps want one with ornamentations, scroll work and roses
for instance?”
“Oh no, nothing of that sort, thank you. I want it as plain and
unobtrusive as possible.”
“You would like it made of some rustless metal, sir?”
“That would be very convenient.”
“And with a strong spring?”
“Well, moderately strong.”
“To be fixed on which side, sir?”
“Let me see; the right-hand side.”
“Now, sir,” said the assistant, “I will go through each point, one by
one. You want an efficient (but not too costly) English made,
unobtrusive, rustless, unornamented, patent automatic door closer, to be
fixed right-handed with a moderately strong spring to a pantry door with
a glass window. Is there any further desideratum, sir?”
“Well, it’s very good of you to help me like this (“Not at all, sir”). I
should like it easily adjusted and easily removed, and above all it must
not squeak or need constant oiling.”
“In fact, sir, you want an apparatus combining a variety of qualities,
in a word, an absolutely silent, efficient, economical, invisible,
corrosive proof, unornamented, not-too-heavily-springed, easily
adjustable, readily removable, British-made, right-handed, patent
automatic door closer, ideally fitted in every possible respect for
attaching to your pantry door which (I understand you to say) contains a
glass window. How is that, sir?”
“Splendid, splendid.”
“Well, sir, I regret that there has never been any article of that
description put on the market, but if you care to visit our wholesale
department across the road, you may perhaps be able to make your choice
from a reasonably large selection of our present imperfect models. Good
day, sir.”
XLVII
SEQUELS ARE BARRED
If you solve a problem to the best of your ability, it never bothers you
again. Enough said: but the following emblem may be taken to heart:--
EPITAPH ON AN UNFORTUNATE ARTIST
Public-domain text, read in full here on John Shaqi.
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