I understand cowardice and how recruits, to be delivered of their fear,
throw themselves recklessly into the midst of the fire. The number of
silly things I have said in the last two years, in order not to hold my
tongue, makes me mad when I think of them.
And that is what should easily mark in a woman's eyes the difference
between passion-love and gallantry, between the gentle soul and the
prosaic.[1]
In these decisive moments the one gains as much as the other loses: the
prosaic soul gets just the degree of warmth which he ordinarily wants,
while excess of feeling drives mad the poor gentle heart, who, to crown
his troubles, really means to hide his madness. Completely taken up
with keeping his own transports in check, he is miles away from the
self-possession necessary in order to seize opportunities,
[Pg 74]
and leaves in a muddle after a visit, in which the prosaic soul would
have made a great step forward. Directly it is a question of advancing
his too violent passion, a gentle being with pride cannot be eloquent
under the eye of the woman whom he loves: the pain of ill-success is
too much for him. The vulgar being, on the contrary, calculates nicely
the chances of success: he is stopped by no foretastes of the suffering
of defeat, and, proud of that which makes him vulgar, laughs at the
gentle soul, who, with all the cleverness he may have, is never quite
enough at ease to say the simplest things and those most certain to
succeed. The gentle soul, far from being able to grasp anything by
force, must resign himself to obtaining nothing except through the
_charity_ of her whom he loves. If the woman one loves really has
feelings, one always has reason to regret having wished to put pressure
on oneself in order to make love to her. One looks shame-faced, looks
chilly, would look deceitful, did not passion betray itself by other
and surer signs. To express what we feel so keenly, and in such detail,
at every moment of the day, is a task we take upon our shoulders
because we have read novels; for if we were natural, we would never
undertake anything so irksome. Instead of wanting to speak of what we
felt a quarter of an hour ago, and of trying to make of it a general
and interesting topic, we would express simply the passing fragment of
our feelings at the moment. But no! we put the most violent pressure
upon ourselves for a worthless success, and, as there is no evidence of
actual sensation to back our words, and as our memory cannot be working
freely, we approve at the time of things to say--and say them--comical
to a degree that is more than humiliating.
When at last, after an hour's trouble, this extremely painful effort
has resulted in getting away from the enchanted gardens of the
imagination, in order to enjoy quite simply the presence of what you
love, it often happens--that you've got to take your leave.
Public-domain text, read in full here on John Shaqi.
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