98. Letter copying. In one of the modes of performing this process, a sheet of very thin paper is damped, and placed upon the writing to be copied. The two papers are then passed through a rolling press, and a portion of the ink from one paper is transferred to the other. The writing is, of course, reversed by this process; but the paper to which it is transferred being thin, the characters are seen through it on the other side, in their proper position. Another common mode of copying letters is by placing a sheet of paper covered on both sides with a substance prepared from lamp-black, between a sheet of thin paper and the paper on which the letter to be despatched is to be written. If the upper or thin sheet be written upon with any hard pointed substance, the word written with this style will be impressed from the black paper upon both those adjoining it. The translucency of the upper sheet, which is retained by the writer, is in this instance necessary to render legible the writing which is on the back of the paper. Both these arts are very limited in their extent, the former affording two or three, the latter from two to perhaps ten or fifteen copies at the same time. 99. Printing on china. This is an art of copying which is carried to a very great extent. As the surfaces to which the impression is to be conveyed are often curved, and sometimes even fluted, the ink, or paint, is first transferred from the copper to some flexible substance, such as paper, or an elastic compound of glue and treacle. It is almost immediately conveyed from this to the unbaked biscuit, to which it more readily adheres. 100. Lithographic printing. This is another mode of producing copies in almost unlimited number. The original which supplies the copies is a drawing made on a stone of a slightly porous nature, the ink employed for tracing it is made of such greasy materials that when water is poured over the stone it shall not wet the lines of the drawing. When a roller covered with printing ink, which is of an oily nature, is passed over the stone previously wetted, the water prevents this ink from adhering to the uncovered portions; whilst the ink used in the drawing is of such a nature that the printing ink adheres to it. In this state, if a sheet of paper be placed upon the stone, and then passed under a press, the printing ink will be transferred to the paper, leaving the ink used in the drawing still adhering to the stone.