Dunbarton gave a groan as of agony suppressed, and Morewood's face might
have been in color a fragment of the sacerdotal robe of Ra.
"Oh!" moaned the painter, "if I could only howl!"
"Don't mind him, please!" the other man pleaded. "You see, I, too, had
used a film, and we were rather interested in seeing how it came out."
"Oh, but yours came out beautifully!" she reassured him. "My Cousin Jack
developed it after lunch. That's the way we discovered the mistake, and
here it is. We made up our minds that you must be at least seventy-five
years old to want to photograph a hideous mummy-case."
It was then that Dunbarton mastered himself and became once more
conscious of the duties of hospitality.
"A thousand pardons!" he protested, "for not offering you a seat. This
is a painter's workshop, as you see, and therefore public property in a
way. Might I suggest a cup of tea? It won't take me a minute to
telephone for a chaperon."
The priestess was graciously pleased to laugh.
"I should like tea," she said, with an approving glance about the room,
flooded with the last of a long sunset; "but, if you don't mind, I
detest chaperons. You see, I'm from Oklahoma."
There was an instant's hesitation, then:
"My friend, Mr. Morewood," remarked the painter, "has just been telling
me the strangest story in the world. Perhaps you can induce him to
repeat it for you."
He laughed a mocking laugh and turned to busy himself with the silver
tea-service standing on an Adams table, while Morewood drew forward a
low chair for the lady.
"Is your story romantic?" she asked, as she settled her poppy-colored
ruffles; "has it a heroine?"
"Oh, yes, indeed," he answered, by no means including Dunbarton in the
confidence. "No less a personage than the priestess of Amen Ra."
She looked at him suspiciously, while the veriest suggestion of a blush
suffused her cheek.
"Is there anything about photographs in it?" she demanded, regarding him
defiantly.
"Yes," he replied, "there is; a lot!"
"Then I don't care to hear it, for it's certain to be stupid," she
protested, pouting.
"It is," he told her, frankly; "and I shall not inflict it on you now.
But some day, when we know each other better."
"We start for Boston to-morrow morning early," she interrupted; "and
from there we go to Bar Harbor for mamma's hay fever. We're staying at
the Waldorf."
"Then I shall return the camera this evening," said Morewood.
"If you do," she said, "my Cousin Jack will be very glad to talk
photographs with you."
"How old is your Cousin Jack?" Morewood demanded.
"Twelve," replied the lady, with just the shadow of a smile.
THE GIRL FROM MERCURY
AN INTERPLANETARY LOVE STORY
Public-domain text, read in full here on John Shaqi.
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