On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
HEY charged me extra for the basket on the Great Eastern Line, and I
have hated that company ever since. Of course it was over weight, but
actors are good customers to the railways, and a little excess
luggage is not, as a rule, too closely inquired into. The myrmidons
at Bishopsgate, however, were inexorable. It was in vain I tried
to persuade them that the thing was “as light as a feather.” They
insisted on sticking it up edgeways on a shaky iron plate, and
wobbling something up and down a bar; afterward giving me an absurd
bit of paper with “4s. 4d.” on it, which, I explained, I didn’t want,
but which they charged me for just as though I had specially ordered
it.
My destination was a small market-town in the eastern counties, where
I arrived about mid-day. It was the most dead and alive place I have
ever been to. All eastern county towns are more or less dead
and alive--particularly the former--but this one was dreariness
personified. Not a soul was to be seen outside the station. In the
yard stood a solitary cab to which was attached a limp horse that,
with head hanging down and knees bent out, looked the picture of
resigned misery; but the driver had disappeared--washed away by the
rain, perhaps, which was pouring steadily down. I left my belongings
in the cloak room, and walked straight to the theater. I passed two or
three green posters on my way, headed:
“Theater Royal,” and setting forth that “------ --------, the
World-Renowned Tragedian from Drury Lane,” would give his magnificent
impersonations of _Richard III._ and _The Idiot Witness_ that night,
and begging the inhabitants, for their own sakes, to “come early.” I
found the whole company assembled on the stage, and looking as dismal
as the town itself. They all had colds in the head, including the
manager, “the World-Renowned Tragedian from Drury Lane,” who had the
face-ache into the bargain.
After a rough and ready rehearsal of the tragedy, melodrama, and
burlesque to be played that evening (I had had all my parts sent me by
post before joining), I started off by myself to look for lodgings, as
I had come to the conclusion that my own society would, on the whole,
be less depressing than that of any gentleman in the company.
Public-domain text, read in full here on John Shaqi.
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