Short stories; United States -- Social life and customs -- 20th century -- Fiction
There is no knowing why they confided these things to Sophy instead of
to each other, these wedded sisters of hers. Perhaps they held for
each other an unuttered distrust or jealousy. Perhaps, in making a
confidante of Sophy, there was something of the satisfaction that comes
of dropping a surreptitious stone down a deep well and hearing it
plunk, safe in the knowledge that it has struck no one and that it
cannot rebound, lying there in the soft darkness. Sometimes they would
end by saying, "But you don't know what it is, Sophy. You can't. I'm
sure I don't know why I'm telling you all this."
But when Sophy answered, sagely, "I know; I know," they paid little
heed, once having unburdened themselves. The curious part of it is
that she did know. She knew as a woman of fifty must know who, all her
life, has given and given and in return has received nothing. Sophy
Decker had never used the word inhibition in her life. She may not
have known what it meant. She only knew (without in the least knowing
she knew) that in giving of her goods, of her affections, of her time,
of her energy, she found a certain relief. Her own people would have
been shocked if you had told them that there was about this old-maid
aunt something rather splendidly Rabelaisian. Without being what is
known as a masculine woman, she had, somehow, acquired the man's
viewpoint, his shrewd value sense. She ate a good deal, and enjoyed
her food. She did not care for those queer little stories that married
women sometimes tell, with narrowed eyes, but she was strangely
tolerant of what is known as sin. So simple and direct she was that
you wondered how she prospered in a line so subtle as the millinery
business.
You might have got a fairly true characterization of Sophy Decker from
one of fifty people: from a salesman in a New York or Chicago wholesale
millinery house; from Otis Cowan, cashier of the First National Bank of
Chippewa; from Julia Gold, her head milliner and trimmer; from almost
anyone, in fact, except a member of her own family. They knew her
least of all. Her three married sisters--Grace in Seattle, Ella in
Chicago, and Flora in Chippewa--regarded her with a rather affectionate
disapproval from the snug safety of their own conjugal inglenooks.
"I don't know. There's something--well--common about Sophy," Flora
confided to Ella. Flora, on shopping bent, and Sophy, seeking hats,
had made the five-hour run from Chippewa to Chicago together. "She
talks to everybody. You should have heard her with the porter on our
train. Chums! And when the conductor took our tickets it was a social
occasion. You know how packed the seven-fifty-two is. Every seat in
the parlor car taken. And Sophy asking the colored porter about how
his wife was getting along--she called him William--and if they were
going to send her West, and all about her. I wish she wouldn't."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account