One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
decorated with large flowers worked in embroidery, and looped up with
gold bullion, permitted me to behold the fair dead, lying at full
length, with hands joined upon her bosom. She was covered with a linen
wrapping of dazzling whiteness, which formed a strong contrast with the
gloomy purple of the hangings, and was of so fine a texture that it
concealed nothing of her body's charming form, and allowed the eye to
follow those beautiful outlines--undulating like the neck of a
swan--which even death had not robbed of their supple grace. She seemed
an alabaster statue executed by some skilful sculptor to place upon the
tomb of a queen, or rather, perhaps, like a slumbering maiden over whom
the silent snow had woven a spotless veil.
I could no longer maintain my constrained attitude of prayer. The air of
the alcove intoxicated me, that febrile perfume of half-faded roses
penetrated my very brain, and I commenced to pace restlessly up and
down the chamber, pausing at each turn before the bier to contemplate
the graceful corpse lying beneath the transparency of its shroud. Wild
fancies came thronging to my brain. I thought to myself that she might
not, perhaps, be really dead; that she might only have feigned death for
the purpose of bringing me to her castle, and then declaring her love.
At one time I even thought I saw her foot move under the whiteness of
the coverings, and slightly disarrange the long, straight folds of the
winding sheet.
And then I asked myself: "Is this indeed Clarimonde? What proof have I
that it is she? Might not that black page have passed into the service
of some other lady? Surely, I must be going mad to torture and afflict
myself thus!" But my heart answered with a fierce throbbing: "It is she;
it is she indeed!" I approached the bed again, and fixed my eyes with
redoubled attention upon the object of my incertitude. Ah, must I
confess it? That exquisite perfection of bodily form, although purified
and made sacred by the shadow of death, affected me more voluptuously
than it should have done, and that repose so closely resembled slumber
that one might well have mistaken it for such. I forgot that I had come
there to perform a funeral ceremony; I fancied myself a young bridegroom
entering the chamber of the bride, who all modestly hides her fair face,
and through coyness seeks to keep herself wholly veiled. Heartbroken
with grief, yet wild with hope, shuddering at once with fear and
pleasure, I bent over her and grasped the corner of the sheet. I lifted
it back, holding my breath all the while through fear of waking her. My
arteries throbbed with such violence that I felt them hiss through my
temples, and the sweat poured from my forehead in streams, as though I
had lifted a mighty slab of marble. There, indeed, lay Clarimonde, even
as I had seen her at the church on the day of my ordination. She was not
less charming than then. With her, death seemed but a last coquetry. The
Public-domain text, read in full here on John Shaqi.
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