One Woman: Being the Second Part of a Romance of SussexOllivant, Alfred
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One Woman: Being the Second Part of a Romance of Sussex
Ollivant, Alfred
Sussex (England) -- Fiction
The pair had been married four years now; and Ruth knew that her house
was built on sand. That comfortable sense of security which had
accompanied the first years of her married life, affording her
incalculable relief after the hazards which had preceded them, had long
passed. Dangers, less desperate perhaps in the appearance than in the
days of her darkness, but none the less real, were careering up from
the horizon over a murky sea like breakers, roaring and with wrathful
manes, to overwhelm her. In particular the threat that haunts through
life the working-woman of all lands and every race beset her
increasingly. Her man was always skirting now the bottomless pit of
unemployment. One slip and he might be over the edge, hurtling heavily
down into nothingness, and dragging with him her and the unconscious
babes.
The home, always poor, began to manifest the characteristics of its
tenants, as homes will. When the young man came for the rent on Monday
mornings, Ruth would open just a crack so that he might not see inside,
herself peeping out of her door, wary as a woodland creature. Apart
from Joe Burt, whom she did not count, there was indeed only one
visitor whom Ruth now received gladly; and that was Mr. Edward Caspar,
whose blindness she could depend upon.
There had grown up almost from the first a curious intimacy between the
dreamy old gentleman, fastidious, scholarly, refined, and the young
peasant woman whom destiny had made the mother of his grandchildren.
Nothing stood between them, not even the barrier of class. They
understood each other as do the children of Truth, even though the
language they speak is not the same.
The old man was particularly devoted to little Alice.
"She's like a water-sprite," he said,--"so fine and delicate."
"She's different from Ernie's," answered Ruth simply. "I reck'n it was
the suffering when I was carrying her."
"She's a Botticelli," mused the old man. "The others are Michael
Angelos."
Ruth had no notion what he meant--that often happened; but she knew he
meant something kind.
"I'd ha said Sue was more the bottled cherry kind, myself," she
answered gently.
Her visitor came regularly every Tuesday morning on the way to the
Quaker meeting-house, shuffling down Borough Lane past the _Star_, his
coat-tails floating behind him, his gold spectacles on his nose, with
something of the absorbed and humming laziness of a great bee. Ruth
would hear the familiar knock at the door and open. The old man would
sit in the kitchen for an hour by the latest baby's cot, saying
nothing, the child playing with his little finger or listening to the
ticking of the gold watch held to its ear.
After he was gone Ruth would always find a new shilling on the dresser.
When she first told Ernie about the shilling, he was surly and ashamed.
"It's his tobacco money," he said gruffly. "You mustn't keep it."
Next Tuesday she dutifully handed the coin back to the giver,
"I don't like to take it, sir," she said.
Public-domain text, read in full here on John Shaqi.
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