“I don’t care much for them,” he answered, frankly. “I never had any but
once, and that was in Van Diemen’s Land, when I had the fever,--fifteen
of them on my temples, and that was no joke, you know, Miss Desmond.”
He was quite at his ease with Julia; but he would not for the world have
been so confidential to Maude Hillary. Miss Desmond laughed
good-naturedly.
“I don’t mean those horrible creatures that they put on one’s temples,”
she exclaimed, “but Mr. John Leech, the caricaturist. You must have seen
_Punch_, even in Van Diemen’s Land?”
“Oh, yes! my mas--superior officer used to get it from his mother every
mail.”
He took the portfolio from Miss Desmond, and turned over the leaves: but
he only stared absently at Mr. Leech’s most brilliant performances, and
his eyes wandered away every now and then to the piano, where Maude
Hillary was skimming through the gems of a new opera and dallying with
her two adorers, deliciously unconscious of their adoration. Had she not
inhabited an atmosphere of universal admiration and affection ever since
she had exhibited her pink cheeks and infantile ringlets in company with
the seven-shilling March peaches and five-guinea pine-apples, after her
father’s pompous dinners, to be admired by ponderous old City magnates
in the pauses of solemn discussions upon the rate of discount and the
last grand crash on the Stock Exchange?
Julia Desmond, always observant--cursed, perhaps, with an especial
faculty for penetrating all unpleasant secrets lying hidden under the
many masks which society has invented for the convenience of
mankind--Miss Desmond, I say, was not slow to perceive the Cornishman’s
preoccupation, nor slow to credit Miss Hillary with another item in that
heavy account so long standing between them.
Public-domain text, read in full here on John Shaqi.
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