Interstellar travel -- Fiction; Science fiction; Television programs -- Fiction
It was a healthy tiredness, though, and their muscles would come back
to normal as quickly as one recovers strength after illness--rather
faster, in fact. But tonight there would be no night-life on the
space-ship. Johnny Simms disappeared, after symptoms of fretfulness akin
to those of an over-tired small boy. Jamison gave up, and Bell, and Al
the pilot fell asleep while Jones was trying to discuss something
technical with him. Jones himself yawned and yawned and when Al snored
in his face he gave up. They retired to their bunks.
There was no point in standing guard over the ship. If the bed of hot
ashes did not guard it, it was not likely that an individual merely
sitting up and staring out its ports would do much good. There were
extremely minor, practically unnoticeable vibrations of the ship from
time to time. They would be volcanic temblors--to be expected. They were
not alarming, certainly, and the forest outside was guarantee of no
great violence to be anticipated. The trees stood firm and tall. There
was no worry about the ship. It was perfectly practical, and even
necessary simply to turn out the lights and go to sleep.
But Cochrane could not relax. He was annoyed by the soreness of his
muscles. He was irritated by the picture given him of the expedition as
a group of heedless ignoramuses who'd taken off without star-charts or
bacteriological equipment--without even apparatus to test the air of
planets they might land on!--and who now were sternly warned not to make
any use of their achievement. Cochrane was not overwhelmed by the
achievement itself, though less than eighteen hours since the ship and
all its company had been aground on Luna, and now they were landed on a
new world twice as far from Earth as the Pole Star.
It is probable that Cochrane was not awed because he had a
television-producer's point of view. He regarded this entire affair as a
production. He was absorbed in the details of putting it across. He
looked at it from his own, quite narrow, professional viewpoint. It did
not disturb him that he was surrounded by a wilderness. He considered
the wilderness the set on which his production belonged, though he was
as much a city man as anybody else. He went back to the control-room.
With the ship standing on its tail that was the highest point, and as
the embers burned out and the smoke lessened it was possible to look out
into the night.
He stared at the dimly-seen trees beyond the burned area, and at the
dark masses of mountains which blotted out the stars. He estimated them,
without quite realizing it, in view of what they would look like on a
television screen. When light objects in the control-room rattled
slightly, he paid no attention. His rehearsal-studio had been rickety,
back home.
Public-domain text, read in full here on John Shaqi.
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